Word: corliss
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Dates: during 1990-1999
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...Richard Corliss...
...children. He takes her on long walks, gives her counsel; most important, he makes her laugh. "Nicely, the movie lets viewers decide whether Brown is a devoted servant or a devious bully and whether the Queen?s long bereavement is partly stubbornness masquerading as principle," says TIME's Richard Corliss. "It also provides a field day for some wonderful actors too little seen on this side of the Atlantic. Sher is a wily, puckish delight; and Dame Judi, her face clamped in anguish, radiates the stern ecstasy of grief. This queen of English understatement embodies Victoria?s belief: that mourning...
...Richard Corliss...
...always gentle and generous but never one to mince words when she felt a piece of writing fell short of her standards. Her praise for sharp thinking was warm and inspiring, and her critiques of fuzzy stories were softened by wry humor and kindness. When movie critic Richard Corliss, new to the magazine in 1980, submitted the beginning draft of his first cover story to Martha, she responded, "The first three paragraphs are O.K. The fourth one had better sing...
...convinces her that she should do the writing, on his body. "Any Peter Greenaway (Drowning by Numbers, The Cook The Thief His Wife & Her Lover) film is a complex word-and-picture game -- of stories within stories, images within images, like a Chinese puzzle box," says TIME's Richard Corliss. "The director also insists that his actors throw themselves, soul and especially body, into his complex revenge scenarios. It's lovely that, in an age when pop culture dances with the dunces, someone has the mandarin urge to arouse and test his audience. Lovelier still when, as in The Pillow...