Word: corliss
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Dates: during 2000-2009
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...This review is an expansion of a dispatch from last year's Cannes Film Festival written by Mary Corliss and Richard Corliss...
...Merit vs. Mediocrity Richard Corliss's recent suggestions in "How to Save the Awards Shows" were shameful [Jan. 14]. Any intelligent film reviewer knows that the best films and the most popular flicks are usually light-years apart in quality. Are the Academy Awards about honoring good filmmaking, or are they about trolling for viewers for the telecast? Shouldn't everyone be more concerned that the better films of the year get the attention they deserve? Stephen J. Miller, Orlando, Florida...
...nominating obscure movies. Perhaps at its inception, popular films had the greatest artistic merit. But in a year in which intellectually void, flashy crowd pleasers (like 300 and Transformers) and idiotic supposed comedies (like Wild Hogs and Rush Hour 3) were among the highest-grossing films, how can Corliss justify suggesting that the awards go to more popular films? Discounting Ratatouille, you have to scroll way down the rankings to find anything that warrants consideration - like Charlie Wilson's War, No Country for Old Men and Juno. Moneymaking could be considered an art and a science, but I doubt that...
...audience-friendly awards show that Corliss fantasizes about already exists. It's called the People's Choice Awards. Dewey Webb, Phoenix...
...Thank god for Corliss and his ideas for saving the Oscars. He is right: they do need a change. Right now the show is like the drama-club awards in high school. And nobody wanted to hang out with those kids, cuz they were, like, so weird. The Oscars should totally be a popularity contest, like electing Homecoming Queen. Then, finally, some good movies could win Best Picture. Like Norbit. Or Wild Hogs. Or 300. While you're at it, Mr. Corliss, could you jazz up the presidential race? Who cares about all these debates on stuff nobody understands...