Word: corliss
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Dates: during 2000-2009
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...ogre to play. Day-Lewis, who can make lunatic intensity seem a form of sainthood, finds in Jack a lion whose majesty is in the severe wounds he has inflicted and been afflicted by. The film is Jack's ballad, and Day-Lewis its roaring, charismatic bard. --By Richard Corliss...
...cool thing about this digital scare-scape is how fidelity to Miller's vision liberated Rodriguez and the cast. Everyone has a great time playing it hard and fast. For all its astronomical body count, Sin City is brazenly, thrillingly alive. --By Richard Corliss...
...excess-baggage wife (Phone Booth, Man on Fire, Finding Neverland). Here, channeling the neuroses of all preceding Allen heroines, she exudes a hurt and danger, an intensely sexual intelligence that plays off her patrician beauty. In her care, Melinda is part comic, part tragic, all magic. --By Richard Corliss...
...strive for their own metallic solidity and sheen--Robots has an old-fashioned message: "You can shine no matter what you're made of." In other words: Why be new when you can be the very best you? That's a notion even humans can profit from. --By Richard Corliss...
...mask. And then, by an act of sternest will, she summons the old fun, as in the numbers A Couple of Swells and I Love a Piano. The innocent girl from The Wizard of Oz is reborn, through her pain, as a depression-defying diva.. --By Richard Corliss...