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MOVIES . . . METRO: "Eddie Murphy's new cop thriller bears a surface similarity to the early Eddie hits '48 HRS.' and 'Beverly Hills Cop,' but it's lame and lazy, inefficient even as the sort of action machine Hollywood can tool up in its sleep," says TIME's Richard Corliss. "The mandatory car chase is woefully generic; it disregards the laws of physics without raising more than vagrant musings in the viewer. Why, for example, would a cable-car full of passengers be too timid to apprehend the lone bad guy while he's busy wrestling with the hero?" Murphy...

Author: /time Magazine | Title: Weekend Entertainment Guide | 1/17/1997 | See Source »

...caught in a nuclear arms chase involving the CIA, the former KGB and renegade merchants of death. It engrosses little and matters less. "As in musicals and porno films, it's the big numbers -- here the rampaging action scenes -- that carry a Chan movie," notes TIME's Richard Corliss. So see Jackie on killer stilts, Jackie jumping from a high ledge, Jackie battling in an aquarium stocked with great white (rubber) sharks. See, and marvel, as he fights off a dozen or so angry Chinese men; his only weapons are a card table, some folding chairs and a metal ladder...

Author: /time Magazine | Title: Weekend Entertainment Guide | 1/10/1997 | See Source »

MOVIES . . . HAMLET: "If Kenneth Branagh doesn?t win an Oscar for his four-hour, uncut ?Hamlet,? " says TIME's Richard Corliss, "he should at least cop a Chutzpah Award." Here's the most eclectic cast in movie history -- Julie Christie, Billy Crystal, Gerard Depardieu, John Gielgud, Rosemary Harris, Charlton Heston, Derek Jacobi, Jack Lemmon, John Mills, Robin Williams, Kate Winslet and the Duke of Marlborough, to name but a dozen -- in the second longest film released by a major studio (after ?Cleopatra?). To his credit, the actor-director-adapter approached this job not as a solemn duty or an egotistical...

Author: /time Magazine | Title: Weekend Entertainment Guide | 1/3/1997 | See Source »

...limit. Casting the Lady Cobain was not merely an art-imitates-death stunt; she's a real actress, rangy and sympathetic, with an instinct for just the right dose of excess. Love and Harrelson make The People vs. Larry Flynt a case well worth studying. --By Richard Corliss...

Author: /time Magazine | Title: A RICH FILM FEAST | 12/30/1996 | See Source »

...Richard Corliss...

Author: /time Magazine | Title: CINEMA: SAY AMEN! SAY AWWW! | 12/16/1996 | See Source »

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