Word: corlisses
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...York Film Critics Circle pronounced "Leaving Las Vegas" the best film of 1995, and named its star, Nicholas Cage, best actor. "The New York Film Critics awards certainly provides a clue as to who will be nominated for an Oscar," says TIME's Richard Corliss. "They also give the films' publicists a major tool in marketing the films." Other winners in the 61st annual Film Critics Circle awards went to Jennifer Jason Leigh who won best actress in the film "Georgia"; Ang Lee as best director for "Sense and Sensibility"; Kevin Spacey as best supporting actor in three films -- "Seven...
Although the performance of Jennifer Jason Leigh as a barroom singer has won the sort of critical raves that fuel studio campaigns for an Oscar nomination, TIME's Richard Corliss begs to differ: "To praise Leigh in this small, frail film is to mistake big acting for good acting, and shriek for soul." A daring, often endearing actress, Leigh virtually patented the role of neurotic little-girl-lost in such cable-ready classics as "Sister, Sister" and "Miami Blues". Lately, though, strenuous mannerism has clotted her work: bizarre accents in "The Hudsucker Proxy" and "Mrs. Parker and the Vicious Circle...
...fraught "Jeffrey," "Barcelona" with a faster pulse or maybe "Friends" on PBS, "Kicking and Screaming" is a postmodern comedy of manners in which hyperarticulate twentysomethings talk about the imminent threat of becoming thirtysomethings. Writer-director Noah Baumbach's characters wear cool like a dinner jacket, says TIME's Richard Corliss; their offhand wit is so studied that their bull sessions seem like a final they crammed for. "But Baumbach is canny enough to salt the stew with poignance, so that by the end these attitude machines have become human beings, more than the sum of their chiseled jokes. Baumbach...
...fraught "Jeffery," "Barcelona" with a faster pulse or maybe "Friends" on PBS, "Kicking and Screaming" is a postmodern comedy of manners in which hyperarticulate twentysomethings talk about the imminent threat of becoming thirtysomethings. Writer-director Noah Baumbach's characters wear cool like a dinner jacket, says TIME's Richard Corliss; their offhand wit is so studied that their bull sessions seem like a final they crammed for. "But Baumbach is canny enough to salt the stew with poignance, so that by the end these attitude machines have become human beings, more than the sum of their chiseled jokes. Baumbach...
...There's something icky in Woody Allen's compulsion to write scripts about fifty-something guys ready to dump their wives for nubile waifs the approximate age of Soon-Yi Farrow Previn," notes critic Richard Corliss. This was the story of 1992's "Husbands and Wives," and it returns in this tale of a sportswriter with a pretty, peckish wife and a five-year-old adopted son. Allen's take on marriage is bleak, clueless; he sees it as a prison for two, where the condemned finally rise to a level of reciprocal pity. But in spite of all this...