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Illinois, stereotyped by many as the buckle on the corn belt, in reality boasts an ethnic, economic, and political diversity which make it something of an American in miniature. Chicago, which has nearly as many Negroes as Alabama and more Poles than any city except War-saw, blends sophistication and rawness as starkly as any urban center in the East or Far West. Shady suburbs surround the "crossroads of the nation" in a long are of affluence. In mid-state, a broad swathe of black top-soil has nurtured corn and conservatism for nearly a century and a half...

Author: By Ben W. Heineman jr., | Title: End of the Road for the Chuckwagon? | 11/3/1964 | See Source »

Such assurances were hardly enough to allay farmers' fears, so Goldwater summoned G.O.P. leaders from eleven farm states to a secret strategy meeting at Des Moines' Municipal Airport. He listened to their views for nearly an hour. A few days later, at the National Corn-Picking Contest at Sioux Falls, S. Dak., Barry told some 20,000 farm folk: "You and I and all good Americans, we all want a free and prosperous American agriculture, with a minimum of federal controls and intervention. That is the direction in which we must move-forward, toward freedom and progress...

Author: /time Magazine | Title: Issues: Backdown on the Farm | 10/30/1964 | See Source »

Before she became sensitive about it, she used to say, "My art belongs to daddy," and similar things that would make corn blush. Born in 1933, she was raised in Hollywood. When her father moved to Manhattan to become a television star, she went to the Spence School and the American Academy of Dramatic Arts. She made her professional debut in 1951 on Robert Montgomery Presents, playing opposite her father in a spy story. He did not think that he was uncovering a great talent and in fact tried to discourage her from becoming an actress, hoping that she would...

Author: /time Magazine | Title: Television: The Girl with the Necromantic Nose | 10/30/1964 | See Source »

...mothers didn't have time, or should I say, weren't allowed to give their children the proper care they needed and the cook took care of them. They were fed like pigs in a trough, all together. She would cook corn bread and put it in milk. That is the way they...

Author: NO WRITER ATTRIBUTED | Title: Stories and Poems | 10/23/1964 | See Source »

ELLINGTON 65 (Reprise) sounds reassuringly like Ellington '26, but the material in this album of pop and corn is scarcely worth the Duke's attention. Fortunately, his style shines through almost every bar of such half-roasted chestnuts as Never on Sunday and I Left My Heart in San Francisco. Oldtime Ellington Saxpots Jimmy Hamilton (tenor), Johnny Hodges (alto) and Harry Carney (baritone) add to the luster. Standouts are Russell Procope's low-register clarinet solo in More and Cootie Williams' soaring trumpet work on Fly Me to the Moon. And binding it all together...

Author: /time Magazine | Title: Television: Oct. 23, 1964 | 10/23/1964 | See Source »

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