Word: cornet
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...special talent for the camera but made movies that attracted and used the seasoned acting personnel of the French theatre. For The End of a Day, a photographic plate recording with sharp sensitivity the emotional atmosphere of a home for retired actors, Director Julien Duvivier (Poil de Carotte, Un Cornet de Bal) recruited a cast that includes many a distinguished veteran of the Paris stage, headed by polished, twinkling Louis Jouvet, a director of the Comédie-Française and one of France's most illustrious actor-managers. Beautifully played to the last...
Columbia's Bessie Smith selections, from the numerous discs it cautiously labeled "race records" and ceased issuing about 1929, include: St. Louis Blues, simple and powerful, and Reckless Blues, accompanied by Louis Armstrong on the cornet and Fred Longshaw on a portable organ. Fletcher Henderson, who played the piano for her Weeping Willow Blues, with Joe Smith on the cornet, calls this the greatest blues record ever made. Careless Love is W. C. Handy's arrangement of what is almost a U. S. folk song. Trombone Cholly, with the late Trombonist Charlie Green playing among Bessie Smith...
From another corner came the sound of "de big bass," and a tall, toothy colored gentleman added a little rhythm to the saxes. Behind a rack of dinner coats came the delicate gyrations of a cornet, and a powerful, perspiring man in his undershirt could be seen literally wrapping himself around his instrument...
...music, Freddie signed up two cards like himself for the front row- Stanley Fritts, who could play the trombone and drums and specialized in getting tunes out of a jug and a washboard, and Nels Laakso. who triple-tongued and hit easy high C's on the cornet, but also did not disdain making noise simply by sucking the mouthpiece. For the back row Freddie Fisher got Pianist-Arranger Paul Cooper, Drummer Kenneth Trisko, Bull Fiddler Charles Koenig. The Schnickel-fritz Band did not cause much stir in Winona until a Decca representative named Elvin T. Christman heard...
...humor has never been despised by the Royal Academy. Year ago Caricaturist George Belcher, who stalks about Chelsea in a large black hat and satin stock and who prefers char ladies and costermongers for models, made headlines at the Academy with a portrait of a fat man playing a cornet. Quick to repeat a good thing, he sent two similar portraits to this year's Burlington House. Best was Brother Fetch, a London commissionaire in full regalia of the Order of Buffaloes, elegantly curling his buffalo horn mustachios and elegantly grasping a white kid glove and a pint...