Word: cornetists
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...Sweet Sue," "Blues in B Flat," "Tea for two," "Ja Da," and "The Sheik" were attacked. One of the reed men, a startling cross between Johnny Dodds and Joe Marsala blasted out a machine gun-like obligatto in answer to the adept growlings of the slip horn, while the cornetist, feeling no doubt that he was being attacked from both sides, lashed out wildly with punchy, agitated jabs. During these gyrations, the pianist managed the almost superhuman job of bringing order out of chaos. It was a never-ending source of amazement to the bystanders that...
...fountain of youth and gleaned strength enough therefrom to make another record. The anachronistic session took place under the auspices of the Swan Record Company and the songs "Sister Kate" and "I'll Never Be The Same" were played. Supported by another refugee from the mothballs, Phil Napolean, a cornetist who used to tootle feebly with Miff Mole and the rest of the Memphis Five, Tony whistles, sings and hums through a comb wrapped in tissue paper throughout both sides. Napolean--unlike King Oliver, the Benny Goodman band and fresh mackerel--has actually improved with age. There's nothing flashy...
Most conspicuous absentees at Eddie Condon's opening were some of Condon's fellow Chicagoans: Trombonist Milfred ("Miff") Mole, Cornetist Francis Xavier ("Muggsy") Spanier, who play a half mile away, at Nick's in the Village-where Condon played until about two years ago. (Twelve blocks away, Manhattanites could hear the far more virile and exciting New Orleans Negro jazz of Cornetist Bunk Johnson-TIME, Nov. 5.) Some of Nick's parishioners were scattered among Condon's opening-night audience, lost among the celebrities and the Hoosiers. "You know, Hoosiers," explained Condon, himself the ninth...
Willie ("Bunk") Johnson is a 65-year-old steel-wool-haired Negro cornetist who was a New Orleans hit 30 years ago when the great Louis ("Satchmo") Armstrong was just a kid following him around, carrying his cornet, getting lessons from him. Bunk played in the sporting houses on Basin Street, in the saloons above Canal Street, and in the band wagons that rode around town with the slidehorns hanging out over the tailgate. He went barnstorming for as little as $5 a week and tips. Twelve years ago Bunk lost his teeth and gave up playing. A Pittsburgh jazz...
...skilled elbow-waving of a veteran bandmaster named B. (for Benjamin) A. (for Albert) Rolfe, whose red face, wheezing voice and massive (230 Ib.) figure have become as indigenous to the Long Island landscape as the oil wells atop Signal Hill. A man who started as an infant-prodigy cornetist and went on to conduct radio's Lucky Strike dance orchestra, Rolfe took over the Long Beach Band last year when its founder, an oldtime Sousa (cornet) soloist named Herbert Lincoln Clarke, decided to retire...