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...Thanksgiving service in a forbidding old brick building on a hill overlooking Glenwood, Iowa, a trim little man of 67 directed the well-drilled 30-voice choir. Conductor Mayo Buckner is a versatile musician; he sings bass, plays the violin, piccolo, clarinet, flute, bass horn, cornet and saxophone. Though almost entirely self-taught, "Buck" is good enough to have played in the town band. He is also a journeyman printer. His IQ of 120 is well above the national average. Yet for the last 59 years Mayo Buckner has been an inmate of Glenwood State School (for the mentally retarded...

Author: /time Magazine | Title: Medicine: A Question of IQ | 12/9/1957 | See Source »

...look at some of their earlier artists. Among the more impressive results: the Jazztone Society's ten-disk collection, Styles of Jazz, including that original recording of Livery Stable Blues, a fast and vastly exuberant piece in a weak-and-strong two-beat, with barnyard sounds reproduced by cornet, clarinet and trombone. From there, the album ranges over various jazz styles-blues, swing, cool-and reaches a high point with Fats Waller's full-chorded, stomping piano playing and lowdown comic singing. Decca's four-record Encyclopedia of Jazz covers much the same ground, with...

Author: /time Magazine | Title: Music: New Jazz Records | 3/4/1957 | See Source »

Amid trees and water, life was peaceful. Art finished high school with academic and athletic honors, found time to tootle a cornet in the school band at political rallies. ("It could have soured me for life.") At the University of Washington he studied law, played second base for a team that won three regional championships and toured Japan. After graduation he opened a law practice and met a Pittsburgh girl named Evelyn Baker, who, while visiting in Seattle, had spotted his picture in the university yearbook and remarked, "Look at that beautiful smile." One of Art's Phi Kappa...

Author: /time Magazine | Title: THE CAMPAIGN: Fork in the Road | 9/3/1956 | See Source »

...Last, Clicks. When Edward Ellington was born in Washington, D.C. in 1899, the capital was jigging to the insolent rhythms of ragtime pianists. Farther west Buddy Bolden's fabulous cornet was shaking New Orleans' levees, and such young idolaters as Joe ("King") Oliver and Sidney Bechet were soon to hammer out the rudiments of instrumental jazz. Washington jazz tended to strings-pianos, banjos, violins-but it had the same ancestry: the sophisticated rhythms of African drums, which later took on a more succinct and sensuous character as they drifted through the Caribbean islands, gradually infiltrated...

Author: /time Magazine | Title: Music: Mood Indigo & Beyond | 8/20/1956 | See Source »

...winning question: to identify the first example of "scat" singing (Heebie Jeebies), the recording group (Louis Armstrong and his Hot Five) and all the players (Armstrong on the cornet, Kid Ory on the trombone, Johnny Dodds on the clarinet, John St. Cyr on the banjo, Mrs. Armstrong at the piano...

Author: /time Magazine | Title: Education: Then There Were None | 2/27/1956 | See Source »

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