Word: cornfield
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Dates: during 1920-1929
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...Brooding and resentful were the Polish mill workers of Manville, N. J. when they heard of Hoffman's release. Six weeks ago (TIME, Sept. 2) four ragged children from Manville's Poletown, two little Kolesars and two little Klementoviches, made an expedition to Farmer Hoffman's cornfield to snitch a few ears of corn for a "roast." As they crept through the tall corn rows a gun was fired close by. Johnny Kolesar, riddled with shot, died that evening. The two Klementoviches were also struck. Johnny's sister identified Craig Hoffman...
Near Tuckahoe, N. J., Johnny di Rocco, 13, hunting with some friends in a cedar swamp, sighted a low-flying hawk, raised his gun, fired. Over the tops of some corn stalks they saw a man topple, fall. Breathlessly they waited for a sign from the cornfield. Johnny, panic-stricken, threw down his rifle and plunged into a wood. With solemn faces the other boys went back to town. Not until midnight did they gather up enough courage to tell about the murder. Immediately Mrs. di Rocco with a posse of policemen set out to find her boy. All night...
...afternoon last week Johnny Kolesar, 12, suggested to his sister Anna, 10, that they make an expedition to the Hoffman brothers' cornfield. Anna had been there before and told of its glories. Barefoot along the dirt path they rolled their hoops. Passing the Klementovich shanty they stopped, invited Helen and Joe to come too. Some other children joined the party at the Hoffman field but left early. The Kolesars and Klementoviches stayed on; walking through the tall green corn, picking the ears. They were going to make a fire in the nearby woods and cook some "supper...
...newspapers devoted much attention to the incident or explored its sociological implications. But Bernarr Macfadden's horror-loving New York Evening Graphic sent a man out to pose and photograph the Widow Kolesar lamenting in a cornfield. The photograph was published under the caption: She stood in tears amid the alien corn...
Black Sadie is a common cornfield nigger raised to trusted though untrustworthy house servant, and by chance transported to "Easter Orange," N. J. There a wealthy, ridiculous patroness of the new art "discovers" her; it seems that Sadie's angular primitive skull is "the focus of the geometry." Cubism is at its height; the Negro fad starts its blatant vogue with a nude of Black Sadie. From popular artists' model, Sadie proceeds to nightclub fame ending abruptly with a row, murder, discreet fadeaway. On the whole she is glad to be shet of no 'count white folks...