Word: corona
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Dates: during 1980-1989
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...apparent limits of the block. He combined two sculptural modes: the relatively straightforward, subtly continuous modeling of the human face and figure and a wild abstract convolution and hollowing of draperies, a sense of the pure plane jutting and receding in space that surrounds his bodies with an ecstatic corona of motion. His linden- wood carving of The Archangel Raphael and the Young Tobias, 1516, is a tour de ! force of this kind. Though every crinkle of the figures' drapery looks natural, the planes of wood are whittled down to a fierce thinness, a buckling, bladelike sweep that from some...
Toad gave up pen and pencil years ago, when he discovered the Smith-Corona manual portable typewriter. Toad loved his Smith-Corona. He played upon it like a flamboyant pianist. Now he massaged the keyboard tenderly through a quiet phrase, now he banged it operatically, thundering along to the chinging bell at the end of the line, where his left arm would abruptly fire into midair with a flourish and fling home the carriage return...
...paper, it was reluctantly, to scribble in the margin of a college textbook ("Hmmmmm" or "Sez who?" or "Ha!"), or to write a check. Over the years, Toad's handwriting atrophied, until it was almost illegible. Who cared? Sonatas of language, symphonies, flowed from the Smith-Corona...
...press with tales of a gently bred Hungarian-Viennese mother, a Czech father with imperial connections, a childhood spent on an estate in Flushing, N.Y. Now she tells most of the essential truth: her parents were poor Jewish immigrants from Eastern Europe, and she grew up in the shabby Corona section of Queens. Israel gleefully supplies many more humble details, but Lauder gives what is probably the most important one: as a child, little Josephine Esty Mentzer was ashamed of her parents' shaky English and "their old-country ways." That too is a common strand in the American success saga...
...technical wizardry to intergalactic mysticism, propelling man into space and through the time barrier to confront his own past and a new race's future. The film was about quests, not answers, and at its conclusion an air of benign befuddlement lingered over its hipper audiences like a corona of reefer smoke. Now, in the quick-solution '80s, comes 2010, a sequel whose sole purpose is to explain the ending of its predecessor. Working from Arthur C. Clarke's novel, Writer-Director Peter Hyams lets his movie waltz in place for an hour or so before enlisting...