Word: corot
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...after the boom in 19th century French impressionists was well under way, the paintings in the Niarchos show will include no less than four each by Cézanne, Gauguin and Degas, six Rouaults, nine Renoirs, seven Van Goghs, plus outstanding works by Matisse, Picasso, Toulouse-Lautrec, Goya, Delacroix, Corot and El Greco (see color pages). The show represents the utmost in mid-20th century moneyed taste...
...paintings included Rembrandt's Old Man Seated, Rubens' Flight Into Egypt, Flemish Dierick Bouts' The Annunciation and outstanding canvases by Corot, Degas, Boucher, Guardi, Fragonard, Frans Hals, Van Dyck, Manet, Monet, Renoir. Eventually Gulbenkian made the same offer he had made London: all the pictures free forever-if the gallery built a special Gulbenkian annex to house them. With regret the National Gallery refused, stuck grimly to the rule that its permanent works be displayed by schools and periods, not by collectors...
...well as the joy of Actor Robinson, who as a boy had been an ardent collector of cigar bands, had moved on to oils 25 years ago (after Little Caesar), when his Hollywood salary jumped from $1,000 to $7,000 a week. Among his prize canvases were Corot's L'ltalienne, Ceézanne's The Black Clock, and masterpieces by Van Gogh, Degas, Matisse, Renoir, Gauguin, and almost every other major French painter of the past half-century. When the collection became notable, Robinson opened his Hollywood home to the public. In recent years...
...Painter Corot did not have to sell his work. The bright, sunny sky he kept throughout his career was well justified by his easy life. Supported by an allowance from his parents (a successful Paris modiste and her bookkeeping husband), the simplehearted, cheerful and generous Corot never knew hardship, was free to travel to Rome, voyage about France, take in Switzerland and Holland. His prime subject was landscape, which he recorded in masses of clear-cut light and shadow just as he saw it. The result, well illustrated by his early study of the Norman port of Honfleur (opposite...
...Corot did not have a single buyer for his work until he was middleaged. But then he was caught up by a wave of buying enthusiasm for the poetic reveries he had begun to paint. He grew increasingly rich in money, but poorer in the quality of his work. During his later years, however, in such paintings as Young Girls of Sparta (opposite) he achieved a new quality in figure painting. By treating his female models as he had his landscapes ("I paint a woman's breast just as I would an ordinary milk can"), he worked from atmosphere...