Word: corots
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...fore the Revolution," said Metternich, "cannot know the sweetness of life," and Renoir's spiritual home was built before 1789. Almost from the start of his career, Renoir's technique and sense of construction were superb: witness the sober, Venetian expansiveness of his great tribute to Corot, Pont-des-Arts, circa 1868. Or the vigorous, limpid Still Life with Bouquet, 1871 , whose tones of gold, amber and black sum up his affinities with Impressionism - light caress ing every surface, revealing each nu ance of substance from the crackly parchment of the Japanese fan to the humid softness...
...paintings. The image that pervaded European landscape painting for centuries was nearly always of an idealized Rome with its wrecked marble and Arcadian countryside. Curiously enough, the three artists who did most to fix its shape were not Italian but French-Poussin and Claude in the 17th century, Corot in the early 19th. But other French painters, not chiefly known as landscapists, also set down their impressions of that tawny city in which history lay preserved as in amber. None worked with a more impassioned delight than the master whose name was to become synonymous with classicism itself, Jean Auguste...
What happens after that is known only to the dealer and his client. But many a famous collector has left Salz's town house poorer by tens of thousands of dollars but richer by a prime Degas, Vuillard, Corot or Monet. As a young man in Paris in the early years of this century, Salz was a painter him self. "Not a great painter like these," he says, waving a hand toward the Segonzacs, Vlamincks and Van Dongens that line his walls. "But I was a friend of all the 20th century artists." The works of these friends were...
Nineteenth century French painting has never fitted neatly into art historians' annals. It was a century of variety and contradictions, blessed with an embarrassment of riches. Every decade had its transcendent master-David, Ingres, Delacroix, Courbet, Corot, Manet, Cézanne-whose force of personality outshone multitudes of minor but thoroughly accomplished painters. One artistic ism followed another, as Neo-classicism yielded to Romanticism, Realism to Impressionism...
Unprejudiced View. By midcentury, the time's inherent romanticism found expression in a burst of landscape painting-and a new respect for human problems. Corot marched out of doors to paint, and the Barbizon school followed. Jean-Francois Millet captured the inherent dignity of peasant farmers, Daumier the poetry of the Parisian poor. But the overall point that the Minneapolis show makes is that 19th century French painting has too long been viewed as a vast academic conspiracy against the innovators who are now enshrined as the founders of modern art. It makes for a story of martyrs...