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Rather than the politically correct, nonjudgmental phrase that has been foisted on presenters for more than two decades - "And the Oscar goes to ..." - presenters this year introduced each winner with the blunt, old-fashioned but perfectly accurate phrase "And the winner is ..." (See the top 10 memorable moments of the 2010 Academy Awards...

Author: /time Magazine | Title: An Oscar Comeback: 'And the Winner Is ...' | 3/8/2010 | See Source »

...writing is so far ahead of what’s being shown on TV at the time. For example, right now you’ve seen only a few episodes of the show this season, but we are writing the finale. There’s no opportunity to course-correct...

Author: By TOBIAS S. STEIN and Logan R. Ury, CRIMSON STAFF WRITERS | Title: 15 Questions with A. Carlton Cuse ’81 | 3/4/2010 | See Source »

...people in the dimmer room reported finding more matches - an average of 11.47 - than those in the bright room, who averaged just 7.78. When their work was checked, it turned out that cheating was rife in the dim room, with the participants there claiming an average of 4.21 more correct answers than they actually got, compared with 0.83 for the other room. Even though none of the subjects put their name on their paper and all were thus anonymous, the darkness still seemed to confer what the researchers called a "false sense of concealment," and that in turn created...

Author: /time Magazine | Title: Why Shady Deeds Are More Likely to Happen in the Dark | 3/3/2010 | See Source »

...9/11, the Patriot Act is the reactionary product of fear and a desire for safety. The passage of the act, which expanded the federal government’s power to surveil its citizens, was in many ways a mistake that President Obama this week had the distinct opportunity to correct or at least mitigate. Unfortunately, he did neither...

Author: By The Crimson Staff | Title: To Forfeit Freedom | 3/3/2010 | See Source »

...underdog, the obvious filler, the perhaps-not-particularly-deserving-this-year-but-boy-is-it-about-time-she-won-already. The winner selection process, intrinsically tainted by Academy politics, is anything but quantitative—statistically, even the most impulsive civilian guesser is likely to make at least one correct prediction. This lends a satisfying, authoritative feel to one’s preferences regarding, for instance, Meryl Streep—who should be given an Oscar every year, by default, just to thank her for being Meryl Streep—versus Sandra Bullock—who, incredibly, is somehow still...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: Widescreen to Flatscreen: Televising the Oscars | 3/2/2010 | See Source »

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