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Brinton was following the classic pattern of European revolutions, which can translate only partially into other times and other cultures. But some events of the Iranian revolution already correspond disconcertingly to the Brinton pattern: the first euphoria of victory dissolving into factionalism, and now some possibility that leftists among the revolutionaries, better organized than the masses who drove out the Shah, may seize power. As in France, the tenure of forbearance may be short; already Qasr prison, emptied of its prisoners of the Pahlavi regime, is filling again, this time populated by the enemies of the revolution...

Author: /time Magazine | Title: Time Essay: The Dynamics of Revolution | 3/12/1979 | See Source »

...with so many legends, the private personality did not totally correspond to the public image. Golda came on, for instance, as the classic Jewish mother: hectoring, fond, overwhelmingly concerned, vulnerable to slights, demanding affection as a duty, offering sacrifice as emotional blackmail, but basically all heart. Still, she was also a fierce Zionist revolutionary, a driving organizer, a persuasive advocate who made up for her lack of stylish eloquence with a peasant shrewdness and a gift for using simplistic anecdotes to convey home truths. In 1969, for example, when Egypt's Gamal Abdel Nasser kept stating that another Arab...

Author: /time Magazine | Title: ISRAEL: A Tough, Maternal Legend | 12/18/1978 | See Source »

...Seven Beauties is among my favorite films, he characterizes her as "an interesting but unimportant filmmaker, a kind of Jacqueline Susanne of the cinema" who "entertains bourgeoise intellectuals on a slightly higher level than junk. In Seven Beauties the cinematic structure and forms that she chose don't correspond to the narrative and ideological substance. That content is superficially conceived she treated the dramatic concept without artistic depth." He then points out that we have reached an impasse--the only way to resolve the difference of opinion would be "to undertake a close analysis of the film. We would have...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...catalogue essay, his paintings have moved from expressionism to a kind of abstract, though physically intrusive, impressionism. De Kooning's East Hampton subjects are classic impressionist ones-the nude in the landscape, the jostle of marine reflections, the movement and flicker of small painterly units that correspond to the "feel" of light and wind...

Author: /time Magazine | Title: Art: Softer De Koonings | 3/6/1978 | See Source »

...real is the Le Carré construction? Do his plots correspond with true moral quandaries? Says one American CIA official: "We know that our work plays havoc with our personal lives. We know that an awful lot of what we have to do is slogging through file cards and computer printouts. Poor George Smiley. That...

Author: /time Magazine | Title: The Spy Who Came In for the Gold | 10/3/1977 | See Source »

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