Word: corridor
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Dates: during 1970-1979
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...masks of the Americans. Said one attacker: "We had the gas for three hours. You can taste it for a while." Then they blindfolded the embassy staff, bound their hands and made them sit on a corridor floor. Soon the students put one of their prisoners on parade, draping his body with a Khomeini poster. One attacker brandished a picture of the Ayatullah that, he claimed, embassy personnel had used as a dart board...
...Kennedy strode toward his six-room corner suite on the second floor, accompanied by half a dozen dark-suited Secret Service men, TV crews in the corridor snapped on their lights and correspondents crowded around to ask questions. All they got was a three-second glimpse of him closing the door. After a quick huddle with more aides, Kennedy popped across the hallway?on went the TV lights?and into the paneled Judiciary Committee hearing room. There was a hush in the audience and then an excited buzz. Kennedy walked quickly to his seat and rapped the committee into session...
...hearing continued for two hours, until the wall buzzer sounded and the stars on the clock lit up, signaling a roll call vote on the Senate floor. Kennedy recessed the hearing and walked briskly down the long corridor, with Secret Service agents brushing aside people ahead of him. Photographers, TV crews and aides carrying briefing books followed close behind. But Kennedy shed most of them at the private elevator for Senators...
What even the most militant of the Palestinians want is to have open borders, to go freely to and from Israel. We would never support the idea of a corridor between the West Bank and Gaza. Why should there be one, when the people of Gaza and the West Bank can pass freely through Israel? The same is true of Jerusalem. Everyone now realizes that the partition of Jerusalem is not a solution. We have to live there together: a Jewish quarter here, an Arab quarter there; a Jewish area like Beersheba, an Arab area like Gaza. They must...
After holding court in his dressing room, Pavarotti pressed into the crowded corridor followed by the members of a documentary-film crew, one of whom held a white umbrella aloft to diffuse a floodlight. As the tenor made ins progress toward the exit under the effulgent parasol, bestowing more blessings and kisses, breaking into nimble dance steps and mugging for the camera, he looked like a cross between an Oriental potentate and the late Zero Mostel. Before heading off in his Rolls-Royce, he rated his performance that night: "8.5 on a scale of ten, and, remember, I never give...