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...suddenly appeared at the door to the main cabin, Dallas Morning News reporter Todd Gillman attempted to take a snapshot - a not-uncommon occurrence aboard a campaign plane - and was told by a campaign staffer, "We prefer that you not take photos." According to a blog post by Ryan Corsaro, the CBS News embed on the Biden plane, the candidate has not taken questions from the journalists aboard his plane since Sept. 7, but he has done numerous interviews with local reporters. That is typically safer terrain, though in one contentious television interview on Oct. 23, an Orlando anchorwoman asked...

Author: /time Magazine | Title: Hidin' Biden: Reining In a Voluble No. 2 | 10/29/2008 | See Source »

...York City, the Metropolitan Opera favors conservative productions, sometimes elephantine ones like Franco Zeffirelli's La Boheme and Tosca, that reinforce the company's role as a musical museum. Occasionally, the rival New York City Opera makes a cautious foray into modernism, often with indifferent results -- Frank Corsaro's tepid Spanish Civil War version of Carmen, for example...

Author: /time Magazine | Title: Music: Three Cheers for the Partisans | 2/23/1987 | See Source »

...State Theater, the company's home. New York City Mayor Edward Koch increased the city's support to $1.3 million annually. She combined the two seasons into one that runs from July through mid-November. Out of economic necessity, new productions are more innovative than lavish: Frank Corsaro's Carmen, set during the Spanish Civil War, cost only...

Author: /time Magazine | Title: Music: Champagne Time for Beverly Sills | 10/29/1984 | See Source »

Sopranos Kathryn Bouleyn and Kathryn Gamberoni stood out in the title roles. Christopher Keene, an important young American conductor, led the score with considerable sensitivity. Director Frank Corsaro captured the lyricism of Fennimore and Gerda with a light, poetic touch. He staged the action behind a scrim, using film and slides to indicate the passage of time and interpolating mimed action during the orchestral interludes...

Author: /time Magazine | Title: Music: Three Premieres, Three Hits | 6/29/1981 | See Source »

...opera, Pasatieri speaks nonetheless in a voice all his own. Zschau is generally impressive in a role that was originally written for Beverly Sills. Zschau is a fine actress, as well as singer, and her only fault, a major one alas, is her inability to enunciate clearly all of Corsaro's words...

Author: /time Magazine | Title: Music: Opera Is Still Alive in New York | 10/20/1980 | See Source »

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