Word: corso
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...earned $100,000 a year kidding the splayfoot, clayfoot maneuvers of the middle class, in and out of ofiice. Jules Feiffer, Walt Kelly, Mike Nichols and Elaine May, and Mad magazine all flourished in the allegedly timid decade. Jack Kerouac's road, Allen Ginsberg's Howl, Gregory Corso's curses -these too issued in the '50s, when the beats marched to an indifferent drummer...
...other serious writing of the time-that predicted something as vague as "almost schizophrenic change" in "the temper of our times." Allen Ginsberg, whose poem Howl is generally thought to have started the literary side of the movement, sang of devastated minds, mysticism and hallucinogenic drugs. Gregory Corso raged against authority, lamented the thinning of his wild hair and questioned the institution of marriage. Jack Kerouac's On the Road bubbled about the transient life. Lawrence Ferlinghetti was charming about overpopulation, and obsession with the tyranny of drugs, governments and unspecified malevolence could be found in the work...
...generation destroyed by madness") is still the best of the genre. Ginsberg made the poet into a folk figure again, and it was Ginsberg, too, who led the trek into Indian sutra land. Such preoccupations have taken more of his time lately than his writing, leaving Gregory Corso as his archdisci-ple. At 41, Corso has a tone a trifle less shrill, decorated with more literary allusions, perhaps more varied rhythmically than Ginsberg's. It is still a prosody deriving directly from Walt Whitman, full of "I saw," "I swear," "I weep," "I curse," "I look" and studded with...
...years earlier, the beatnik takeover of the Bay City's North Beach area had produced some fine poets, including Allen Ginsberg and Gregory Corso, and Novelist Jack Kerouac. From the Haight, though, little emerged to ennoble the spirit-except, perhaps, the Haight-Ashbury Free Medical Clinic, which is the subject of this book...
...evening was billed as a "Dialogue on Women's Liberation," and Beat Poet Gregory Corso set the tone by storming out almost as soon as the festivities began. Then, as such literary luminaries as Arthur Schlesinger Jr. and Philip Roth stared in silence from the audience, Village Voice Columnist Jill Johnston proclaimed that "all women are lesbians" and began an onstage group grope with two female companions. The remainder of the rambunctious encounter featured Novelist and "Prisoner of Sex" Norman Mailer battling a phalanx of feminists led by Australian Author Germaine Greer (The Female Eunuch). As the distinctively distaff...