Word: cort
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...personalities that would be recognizable in any film company. There is the eager, flustered young leading man (Jean-Pierre Léaud); the older leading man with the assurance of experience (Jean-Pierre Aumont); and the older leading woman who drinks too much and muddles her scenes (Valentina Cortèse). There is the young leading woman, an American who has just recovered from a nervous breakdown and is making her first film in over a year (Jacqueline Bisset); the film groupie who starts out as a script girl and ends up running off with the stunt man (Dani). Also...
...movie misses, too, the air of real panic and urgency of, say, 8½. Truffaut means, instead, to convey the consuming romance of the film-making process. Several sequences do break through to some intensity: Cortèse's muffing of a simple scene that starts comically and turns, with each of the actress's false starts and flailings, into a cameo of desperation; the director's dream recollection of his youth, when he sneaked down a street late one night and stole some Citizen Kane stills from outside a theater...
There are also some excellent performances, especially by Cortèse and Baye, and Truffaut's style flows easily. Day for Night has grace, wit and affection enough to be one of the fondest compliments the movies have ever been paid-a tribute to all the dream spinners by one of the best...
Based on Glazunov's melodious score for Raymonda, Cortège is an elegant, plotless exercise in classic Marinsky style that would have delighted an audience of imperial grand dukes. One corps was dressed in shimmering white tights, tunics and tutus; another corps was costumed and booted in a fairy-tale fantasy of Hungarian peasant dress...
...Cortège is undeniably a period piece, as relevant as the Romanovs...