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Word: corte (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...yells of 70,000 partisans volleyed and thundered across Mexico City's Olympic stadium. When the tumult died down, a small man spoke into the mike. "Accepting the candidacy of the Party of Revolutionary Institutions (PRI), I understand fully the grave responsibility of this nomination," said Adolfo Ruiz Cort...

Author: /time Magazine | Title: MEXICO: The Next President | 10/22/1951 | See Source »

Mexicans understood too. Interior Minister Ruiz Cortínez had been nominated by the official party convention as the government's candidate to succeed President Miguel Alemán. In present-day Mexico, that assures election. Barring death or accident, Adolfo Ruiz Cortínez will...

Author: /time Magazine | Title: MEXICO: The Next President | 10/22/1951 | See Source »

With the nomination of Ruiz Cortínez, the solid citizens of PRI's leadership swung away from the flashy playboyism of handsome Miguel Alemán. Greying, frail and 58, with a strong facial resemblance to Boris Karloff (his nickname is Cara de Calavera-Skullface), Ruiz Cortínez is a far cry from the magnetic type traditionally admired by Mexicans. Said a political reporter last week, "Mexico is now going to get a Coolidge...

Author: /time Magazine | Title: MEXICO: The Next President | 10/22/1951 | See Source »

...Ruiz Cortínez is a staid standard-bearer for Mexico's "revolutionary" party. He hates publicity, speaks rarely, lives modestly in one of the capital's more conservative neighborhoods. His favorite relaxation is playing dominoes. After thirteen years in the revolutionary army without rising above the rank of major and eleven years in government bureaus without rising above the rank of clerk, he joined young Mike Alemán and rode the escalator right behind him-first to the governorship of his native Veracruz, then to the Ministry of Interior, the job from which Alem...

Author: /time Magazine | Title: MEXICO: The Next President | 10/22/1951 | See Source »

...spray gun. The mural has more force than feeling, but it is clearly in line with Siqueiros' oft-repeated theory that the right, true end of art is propaganda. His subject this time is Cuauhtémoc-the Aztec hero who tried to defend Mexico City against Cortés after the death of Montezuma. One panel shows Cuauhtémoc being tortured by the Spaniards, along with a bleeding woman and a child with its hands chopped off. Morbid? Goodness, no, said Siqueiros, "unless paintings of Christ on the Cross...

Author: /time Magazine | Title: Art: Paint & Powder | 9/3/1951 | See Source »

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