Word: corwin
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...inner voice (and numerous subsidiary mental voices) unusual expressiveness, Arch Oboler has, at best, achieved cinema's first really effective use of internal monologue. At worst, he goes so far with the trick of building intensity through reiteration that it recalls Fred Allen's parody of Norman Corwin: a poetic drama about Jack & Jill in which a cheering section of inner voices, in accelerating crescendo, badger the heroine with "Jill Jacobowsky, Jill-Jacobowsky Jill-Jacobowsky JILL-JACOBOWSKY...
...given Corwin the green light for a sustaining summer series. Furthermore, instead of a late-night spot to which such worthy projects are usually relegated, CBS assigned Corwin to the desirable Tuesday 9-9:30 p.m. time. Corwin corrailed a crew of Hollywood professionals (Groucho Marx, Keenan Wynn, Sylvia Sidney, Ronald Colman) and labored mightily on his favorite stock in trade: the supremacy of the common man. But this time all he brought forth were tired platitudes, well-worn dramatic tricks, cacophonic sound effects. Corwin's Hooper rating dropped to the lowest of all big-time evening shows...
Deploring the usual shoddy summer substitutes, radio this year talked big-good fun and good music. By last week performance no longer had a chance to catch up with promise, and the list of summertime flops even included Norman Corwin, one of the biggest names in radio drama...
...book, set as if it were verse (and with all staging directions eliminated), Corwin adds many lines that the program had no time for, changes a few broadcasting bowdlerisms (bejeepers becomes beJesus). But what makes the scalp tighten when backed by sound effects and Bernard Herrmann's excellent score and eloquent silences frequently looks tinselly in type. The eye sometimes misses the dramatic moment that Corwin skillfully devises for the ear: the sounds of underwater sloshing, a metallic pounding on a sunken sub, to ask the men inside if they've heard the V-E news...
...Grave) Triumph's unrelieved pounding at its worthy message (internationalism) sometimes takes on the sound of an hour-long lecture; and occasionally, with the best intentions in the world, it is mawkishly patronizing about the little people to whom it is addressed. Yet the best of Corwin is a kind of poetry, and is U.S. radio at its best...