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...whenever the two deadly combatants bring the theater alive there is a set change. Mother of God, there is a set change. Director Babe cast his show expertly and then he cose a designer. As some kind of answer to Chicago's Picasso, quondam director Timothy Mayer has burst upon the world of set design with his impression of a giant grass-hopper with muscular dystrophy. It is supposed to be a cage of pipe that with the help of movable clothes racks and imaginative props can smoothly transform itself into the show's nine sets. The rearrangement of schematic...

Author: By George H. Rosen, | Title: Jungle of Cities | 8/18/1967 | See Source »

Shure is a pianist who likes his music meaty. At this Dudley House recital he cose to assault two of the most awesome pinnacles of the piano literature, the Schubert Sonata in Bb, Op. posthumous, and the Variations on a Theme of Diabelli by Beethoven. Reaction was mixed and tended to the extremes, but there was general admiration for the sheer endurance feat of getting through all those notes...

Author: By Robert G. Kopelson, | Title: Leonard Shure | 7/14/1967 | See Source »

Based on the premise that "Hit's the rich what gets the pleasure, hit's the poor what gets the blime," Chrysalis moves rapidly through 16 cinematographic scenes of the high and low life of Manhattan. Lyda Cose and Don Ellis, a pair of rich and vicious flibbertigibbets, meet Eve Haron and Honey Rogers, a miniature crime wave, in a sordid resort. Lyda and Don are carrying on a puny little affair, are attracted to Eve and Honey because, although they may not be good citizens, they appear to love each other very dearly ?so dearly, in fact, that...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 28, 1932 | 11/28/1932 | See Source »

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