Word: cosima
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Dates: during 1920-1929
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...Frau Cosima Wagner, famed widow, was reported last week to have a radio in her Bayreuth bedroom...
...Elise Wille, "I ... adorer of women," M. Barthou proceeds to detailed accounts of Wagner's amorous adventures. He was the adorer of many women but most notably three: Minna (Wilhelmina Planer), a stupid, clamorous, third-rate actress whom he married; Mathilde (Mme. Weson-donck) who inspired Tristan; and Cosima (Frau von Bülow, natural daughter of Franz Liszt) who provided the stimulus for the Ring series and whom Wagner loved most of all. In his relations with these ladies, Wagner provided the world with one of those astonishing paradoxes by which a brilliant man is enabled to write love letters...
...Cosima Wagner, widow of Wilhelm Richard Wagner, who first triumphed in Gemany just 50 years ago. The old woman sees onetime King Ferdinand of Bulgaria, onetime Field Marshal Ludendorff, but few others. Germany did not always pay homage to her husband. France had detested him also. He once rendered Tannhäuser at the Grand Opera in Paris. He had rehearsed 164 times. Mesdames, seigneurs, laced perfumed lords chitchatted, watched the composer's rotund drab figure squirm in his seat. Wagner's back itched. Princes? Metternich nodded, smiled, as from the orchestra swelled forth great chords, low symphony...
Brave days are still remembered in that house. Along its corridors goes Cosima Wagner, his widow-a grim, gaunt woman with the eyes of a sick eagle and the mouth of a field marshal; up and down she parades, while her petticoat rustles. The whisper of memories, ludicrous, pathetic, stirs to the swish of the old woman's skirt along the empty hall. ... A shaggy little man contorted over the piano, begging his wife to walk up and down the room because he "so loves the rustle of silk. ..." A swollen little man, throned among his friends, shouting...
...golden Wagnerian days. Not a note was "cut" from any of the enormous scores; no concessions were made to the limits of human patience on the part of the audiences. Richard Wagner used to insist on live beasts on the stage for his various animal-parts, and his widow, Cosima Wagner, who is running this show, insists on the same. 'Consequently this year's crop of Bayreuth pilgrims are viewing with glee Fricka's flock of real goats, Wotan's ravens, Siegfried's bear and toad-and, of course, the Dragon. Where the Dragon...