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Word: cosima (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...there, was made an honorary citizen of the town. Last summer Toscanini saluted another musician who once lived on Lake Lucerne. In Richard Wagner's garden, Toscanini "reconstructed" the first performance of the Siegfried Idyll, which was a serenade to Wagner's mistress and wife-to-be, Cosima...

Author: /time Magazine | Title: Music: Musical Axes | 8/14/1939 | See Source »

...YOUNG COSIMA-Henry Handel Richardson-Norton...

Author: /time Magazine | Title: Books: Richardson's Richard | 3/27/1939 | See Source »

Though it is miles this side of Ultima Thule, her newest book, The Young Cosima, will have allowances made for it. Reason: it concerns the most fantastic romance of the most fantastically romantic of composers, Richard Wagner. Wagnerian freshmen who think the Tarnhelm* was something to steer a boat with will take to the book no less than initiates, for the triangle has a dependable literary as well as musical tinkle. In this case: a great man wanting sympathy, a young man wanting love, an intensely ambitious young woman no more capable of love than a piano stool...

Author: /time Magazine | Title: Books: Richardson's Richard | 3/27/1939 | See Source »

...Wagner's fans cannot deny that his operas are lush. His love affairs were more so. Richard found it even harder to edit his morals than his scores, and scarcely less numerous than his leitmotivs were his lady-friends. Most soothing of all, according to Miss Richardson, was Cosima, daughter of one close friend, Composer-Pianist Franz Liszt, wife of another, Pianist-Conductor Hans von Bülow. But readers will find that what Cosima did to take the crinkles out of Richard's brow put them double-deep onto Franz's and Hans...

Author: /time Magazine | Title: Books: Richardson's Richard | 3/27/1939 | See Source »

...Zurich. With Tannhauser, Lohengrin, Das Rheingold and Die Walküre behind him, Wagner has finished the libretto of Tristan und Isolde, is working on the music, under the inspiration of Mathilda Wesendonck (Eva Le Gallienne), with the Schnorrs (Arthur Gerry and Beal Hober) singing his scores and Cosima Liszt von Bulow (Miriam Battista) fluttering about in round-eyed adulation. Minna - jealous, nagging, nerve-fraying epitome of an artist's devoted wife - translates her dislike of the Wesendonck affair into criticism of Tristan: "Nothing happens in it from beginning to end, just two people bleating and bleating about...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Dec. 14, 1936 | 12/14/1936 | See Source »

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