Word: cosiness
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Designed by acclaimed Japanese architect Arata Isozaki, COSI is housed in a stark shell-like exterior that sits like a giant canoe across from downtown Columbus. Inside its purposely skewed interior walls (variously aligned to three different versions of north: true, magnetic and the local street grid's) are seven thematic areas called Learning Worlds. Within each, visitors are free to immerse themselves in scientific concepts that range from basic physics to advanced medicine. "One of the problems with all science centers is the 'Ping-Pong-ball effect,'" says Joseph Wisne, COSI's vice president for design and production. "Visitors...
Combining interactivity with what Wisne calls "the emotional and contextual power of a theme park," COSI aims to leave visitors with a greater understanding of the concepts underpinning the science they have been entertained by. In the Gadgets Learning World, for example, visitors see Newtonian mechanics in action by shooting balls into a Rube Goldberg-like contraption in which they roll, fall and bounce according to fundamental laws set forth three centuries ago. Or they awaken to the subtleties of modern chaos theory by sending a set of gangly-armed pendulums into seemingly random gyrations. For lighter fare, they line...
...this heady mix of circus and educational extravaganza that draws visitors to a spectacular new science center that opened last week in Columbus, Ohio. Called COSI (Center of Science and Industry), the $125 million facility is a jewel of innovation--a place that its president, former space-shuttle astronaut Kathryn Sullivan, says "persuades people that the words science, learning and fun actually do belong in the same sentence." The anchor for a $2 billion downtown economic-redevelopment program, the complex occupies a 17-acre site along the Scioto River in a once blighted neighborhood that is already brimming with...
What comes next for this young virtuoso? The opera schedule is daunting: The Barber in Houston next spring, her American debut; Don Giovanni in a heavyweight Salzburg production conducted by Barenboim in 1994; the Met's Cosi fan tutte the following season. Bartoli is happily caught up in her repertory, but her fans, as well as many opera managers, already ache to see her expand it. Why not the big-money operas -- Verdi and, above all, Carmen...
Mercifully, Ghosts is not much about romantic drears, or even introspection. Corigliano set out to compose an opera buffa, an 18th century-style comic opera such as Figaro or Cosi Fan Tutte. As realized on the stage, scene after scene has a vivid, antic quality that somehow escapes being overly busy. Exploiting the vastness of the Met stage, designer John Conklin deploys props -- solid, handsome, witty -- in ever shifting assemblages. Director Colin Graham sends ghostly ladies flying gently through the air, each looking like a Fragonard dreamscape. Whatever their sins against the people, these aristocrats have found a happy repose...