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Freedman has changed only small details in his staging. But there have been a good many alterations in the casting, often for the better. Jeremy Geidt's toping Toby and Jacqueline Coslow's merry Maria are superior to their 1978 counterparts, and Reno Roop's sappy Sir Andrew is just as funny as his predecessor's. Robert Stattel has been upgraded from Antonio to Duke Orsino, and acquits himself admirably if without the three-dimensionality that Lawrence Guittard gave the role...

Author: By Caldwell Titcomb, | Title: A 20th-Century 'Julius Caesar'... ...an 18th-Century 'Twelfth Night' | 7/17/1979 | See Source »

Second-acters sometimes turn avocations into vocations. In the 1929 crash, Songwriter Sam Coslow lost almost $150,000, vowed to master the stock market and get it back. He did, while publishing more than 500 songs (Cocktails for Two, Just One More Chance). When rock 'n' roll arrived, Coslow recoiled, switched from music to the market in 1961 at the age of 55. He now runs an investment service, edits the well-known market letter Indicator Digest, grosses $3,000,000 a year-plus $80,000 in song royalties. "The important thing," he says, "is to know...

Author: /time Magazine | Title: Essay: SECOND ACTS IN AMERICAN LIVES | 3/8/1968 | See Source »

...which ran on Broadway in 1927, Swing High, Swing Low somehow fails to give the spectacle of a wind instrument expert keeping a stiff upper-lip the emotional intensity which it no doubt deserves. Songs like Panamania and I Hear a Call to Arms, by Al Siegel and Sam Coslow, are appealing but hardly likely to be rated as classics by addicts of swing music. Vastly over-ballyhooed by Paramount, the picture's chief virtues are providing pretty Carole Lombard with a few comedy lines almost up to the standard of the ones she had in My Man Godfrey...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 22, 1937 | 3/22/1937 | See Source »

Fred Astaire for her, she does all her dances alone, except for one rumba with Cyril Wells. Pleasant, unobtrusive songs by Sam Coslow and Harry Woods include It's Love Again and I've Got to Dance My Way to Heaven. The story, an absurd fable, concerns a society-gossip columnist {Sonnie Hale, Miss Matthews' husband in real life) who has trouble finding a celebrity to write about. A friend (Robert Young) invents one, a glamorous Mrs. Smythe-Smythe, proficient dancer and tiger-shooter just back from India. Miss Matthews, having failed to impress a sleepy...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 1, 1936 | 6/1/1936 | See Source »

...gone to some trouble to prove there is still entertainment in Graustarkian romance. It took two plays, four playwrights and a screen writer with some help from Director Frank Tuttle to supply the story. The music, nice but not gaudy, was rewritten three times, final credit going to Sam Coslow. Best tune: "Dancing the Viennese...

Author: /time Magazine | Title: Cinema: Cinema, Feb. 25, 1935 | 2/25/1935 | See Source »

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