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Living on welfare in San Diego was demeaning, for the usual reasons. Social workers sniffed about to see whether some man was living on her allowance. When she made $25 from theater work or a few off-and-on dollars for being a cosmetician in a mortuary, she would stubbornly report the money to the welfare people "because I didn't want my daughter seeing Mom lying." The welfare people would stubbornly subtract it from her next check. "Of course by that time the theater money would be gone." She admits that the system did what it was supposed...

Author: /time Magazine | Title: The Joy of Being Whoopi Goldberg | 9/21/1992 | See Source »

...incorruptible than what is irretrievable. And just as a good man, once dead, becomes a saint, so a nice place, once quit, becomes an Eden. As the years slide by, the places we have visited are steadily pushed back to an enchanted distance, and memory, the mind's great cosmetician, begins to remove wrinkles, soften edges, touch up the past in a golden glow. The 26-hour bus trip, the simultaneous swarm of hucksters and mosquitoes, the revolutions of the stomach are all forgotten or, better yet, transfigured into the unforgettable adventures with which we can impress our friends. Paradise...

Author: /time Magazine | Title: Essay: How Paradise Is Lost - and Found | 6/9/1986 | See Source »

Certainly, Van Dyck knew how to make his sitters look handsomer than they were. Any cosmetician can do that; it is part of the ordinary transaction that painting and photography have with reality. Before photography, when one's idea of a strange face had to be set up by painting, the disparity between the evidence of the eye and the speech of the brush could sometimes come as a shock. One of Prince Rupert's sisters, who knew Queen Henrietta Maria only through the portraits of Van Dyck, was dismayed to meet a short woman with crooked shoulders...

Author: /time Magazine | Title: Art: Dramas of Self-Presentation | 1/10/1983 | See Source »

Even more puzzling, given Rosenbaum's known antipathies to Felkerism, is Kramer's choice of master cosmetician, or design director, as they are known in these circles. In charge of the new layout is Milton Glaser, about as close an associate as Felker has--design director for both The Voice and New York, as well as chairman and vice-chairman of various Felker publishing companies. Glaser's work is appropriately glossy--with the ever-legitimizing Marlboro Man on the back cover and an uninspired Spiro Agnew elongation on the front, plus a new logo without the brackets--since [MORE...

Author: By Tom Blanton, | Title: A Snack Pack of Conspiracies and Scum | 8/3/1976 | See Source »

...Joyboy, Evelyn Waugh's macabre cosmetician in The Loved One, would be proud of Captain Walter Brubaker. A new California state law permits cremated remains to be buried in the ocean or scattered at sea level, supplanting the old law that required a loved one's ashes to be scattered from an altitude of at least 5,000 ft. A retired Navy captain with a keen eye for commerce, Brubaker converted his 50-ft. luxury fishing boat into a seaworthy hearse. He listed himself in the San Diego Yellow Pages as the "City and County Burial...

Author: /time Magazine | Title: Modern Living: Buryin' Walt | 4/24/1972 | See Source »

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