Word: cosmopolitanization
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DIED. FRANCESCO SCAVULLO, 82, fashion photographer who could make plain women look beautiful and fashion models look like Cosmo girls; in New York City. Scavullo's work was published in Rolling Stone, TIME, Sports Illustrated and Harper's Bazaar, but he was best known for photographing more than 300 Cosmopolitan covers from 1965 to 1997 in which Scavullo's lights and lenses, and his team's exacting attention to skin, hair and costume, produced a look that became unique to the magazine. Scavullo did celebrity portraits, glamorized Watergate figure Martha Mitchell for a 1974 cover of New York magazine...
TIME accompanied Ho and his team from the Aaron Diamond AIDS Research Center (ADARC) for two weeks earlier this year as he traveled from Kunming, the cosmopolitan capital of Yunnan province, where his drug-treatment and vaccine projects are based, to the remote border town of Ruili, where heavy heroin trafficking and a thriving sex trade create a perfect HIV breeding ground, to Beijing, for his meetings with party leaders, including the newly appointed Minister of Health, Wu Yi. Everywhere Ho went, his mission was the same: to persuade Chinese officials to step up their modest anti-AIDS efforts...
Despite the cherished pretensions some of us may hold about ourselves—that we are artistically savvy, that we are cosmopolitan aesthetes—it still takes a hell of a lot to get Harvard students out of the house and into some actual cultural consumption. Even if said cultural consumption is just around the corner. If your roommate isn’t in it, if the temperature’s dropped and you have a hot Friday night date with your problem set, it’s too easy to pass on the wealth of opportunities right...
...1960s, Bontecou was a well-established name. Not a household word like Warhol but an artist who exhibited constantly in the U.S. and Europe. In the stable of dealer Leo Castelli, the ultimate launching pad for up-to-the-minute talent, she was also the only woman. LIFE, Cosmopolitan and Vogue put her in their pages, where they tended to treat her as the mouse that roared...
...gauged by the strength of opinions it evokes—positive and negative. For many, Sert’s buildings are distinctly urban, Modernist and concrete and recall images of brutalist “Soviet bloc” housing. Indeed, Sert’s Harvard projects were too cosmopolitan for Cambridge in the 1950s and 60s—and probably still are today...