Word: costello
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Dates: during 1950-1959
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There were dozens of theories: that it was Al who had ordered Frank Costello shot last spring and that he had paid the price; that a new, young mob was responsible for both the Costello and Anastasia shootings; that Al had declared himself the new "boss" of Manhattan garment-district rackets and doomed himself in the process...
...Story of Esther Costello (Romulus; Columbia) examines the phony charity racket. Following the lead of Nicholas Monsarrat's novel, on which it is based, the picture not only condemns the conscious criminals but also takes a number of lusty sideswipes at their unconscious accomplices: public sentimentality and crassness, official indifference, and the self-righteous complaisance of religious groups...
...Story begins when Esther Costello, an eight-year-old Irish girl, finds a cache of grenades in a ruined farmhouse and accidentally detonates them, killing her mother. The explosion does the girl no actual physical harm, but the shock leaves her deaf, dumb and blind. Five years later, an American woman (Joan Crawford) with plenty of money and nothing to do-she has recently walked out on her unfaithful husband (Rossano Brazzi) -takes the child (Heather Sears) on maternal impulse, and with the help of some therapists teaches her to hear, speak and see with her hands...
...simply wrote down what the man said. What resulted was that great Irish art form known as conversation, which, at its best, is always above and beyond the call of truth. In his later stories, McNulty often slipped into the habit of giving Mat his real name-Timothy Athena Costello, proprietor of Costello's Restaurant, Third Avenue at 44th...
...Chet Huntley and wry David Brinkley). TV's journalists flit all over, like the technically muscle-flexing Wide, Wide World, or work in a simple star chamber, like Interviewer Mike Wallace. On too rare occasions, the newsmakers themselves step before the cameras: Kefauver dueling with a faceless Frank Costello, John McClellan patiently at work on Teamster Jimmy Hoffa and his voluble forgettery. Daily, the networks pour money, manpower, miles of cable and film into an often losing race to outdistance the spoken word...