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Word: coster (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...light district behind a banner that read: WOMEN UNITE, TAKE BACK THE NIGHT. In Cambridge, Mass., a porn fighter fired a rifle shot in the middle of the night into a Harvard Square bookshop that she said carried pornographic literature. With obvious hyperbole, Cleveland Antiporn Campaigner Sandra Coster says of the crusade: "It's the one thing women can unite on [because] we all get raped and we all get beaten...

Author: /time Magazine | Title: Sexes: Women's War on Porn | 8/27/1979 | See Source »

...original six-man ensemble that brought us early standards like "Evil Ways" and "Black Magic Woman." The changes have not made a big difference in the group's sound from a strictly technical standpoint, with one notable exception. Some of the keyboard and synthesizer work performed by Tom Coster on Festival completely eclipses any of the solos rapped out by his predecessor on the ivories, Gregg Rolie. The ornate pattern of notes that flow from Coster's moog on "Reach Up" enable him to separate his personal style from Carlos' domineering presence, a real rarity in this band's history...

Author: By Jose LUIS Contreras, | Title: Oye Como Va Carlos... | 5/20/1977 | See Source »

Leaving aside Coster's more brilliant moments on "Reach Up" and a couple of other songs, Festival is most assuredly a Carlos Santana record. Areas and congo drummer Raul Rekow supply some noteworthy percussion work on "Try a Little Harder," but otherwise maintain a very low profile. Bassist Pablo Tellez and drummer Gaylord Birch (the token non-Hispanic) fully realize their functions in the band to be confined to sustaining the basic rhythms of each song, and their self-effacing performances reflect that awareness...

Author: By Jose LUIS Contreras, | Title: Oye Como Va Carlos... | 5/20/1977 | See Source »

Then there were dozens of painters who, through changes of fashion, dispersal of their work or simply the fact of being women, fell into the oubliette. Nothing is more fragile than an artist's reputation. Names like Anne Vallayer-Coster, Sofonisba Anguissola, Judith Leyster or Louise Moillon are scarcely commonplace. Yet the quality of their work is incontestable: Vallayer-Coster's The White Soup Bowl (1771), with its beautifully rendered planes and rotundities of steaming tureen and crinkled napkin, comes close to Chardin in reverent and cadenced description of commonplace things. To see such works resurrected in this...

Author: /time Magazine | Title: Arts: Rediscovered--Women Painters | 1/10/1977 | See Source »

...businesses serving the timber industry could lose another $106 million per year. Beyond that, Maine's $450 million-a-year tourist industry will suffer; no campers or hunters will want to go into a gloomy wasteland of dead trees. In the competition with the budworm, concludes Lester De-Coster, New England regional manager of the American Forest Institute, "man cannot afford to lose...

Author: /time Magazine | Title: Environment: Battling the Budworm | 4/28/1975 | See Source »

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