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...original six-man ensemble that brought us early standards like "Evil Ways" and "Black Magic Woman." The changes have not made a big difference in the group's sound from a strictly technical standpoint, with one notable exception. Some of the keyboard and synthesizer work performed by Tom Coster on Festival completely eclipses any of the solos rapped out by his predecessor on the ivories, Gregg Rolie. The ornate pattern of notes that flow from Coster's moog on "Reach Up" enable him to separate his personal style from Carlos' domineering presence, a real rarity in this band's history...

Author: By Jose LUIS Contreras, | Title: Oye Como Va Carlos... | 5/20/1977 | See Source »

Then there were dozens of painters who, through changes of fashion, dispersal of their work or simply the fact of being women, fell into the oubliette. Nothing is more fragile than an artist's reputation. Names like Anne Vallayer-Coster, Sofonisba Anguissola, Judith Leyster or Louise Moillon are scarcely commonplace. Yet the quality of their work is incontestable: Vallayer-Coster's The White Soup Bowl (1771), with its beautifully rendered planes and rotundities of steaming tureen and crinkled napkin, comes close to Chardin in reverent and cadenced description of commonplace things. To see such works resurrected in this...

Author: /time Magazine | Title: Arts: Rediscovered--Women Painters | 1/10/1977 | See Source »

...businesses serving the timber industry could lose another $106 million per year. Beyond that, Maine's $450 million-a-year tourist industry will suffer; no campers or hunters will want to go into a gloomy wasteland of dead trees. In the competition with the budworm, concludes Lester De-Coster, New England regional manager of the American Forest Institute, "man cannot afford to lose...

Author: /time Magazine | Title: Environment: Battling the Budworm | 4/28/1975 | See Source »

...husband was up in the attic trying to figure out where the old staircase went," explained Catharine Coster of Newtown, Conn. "He pulled layers and layers of wallpaper off the attic walls looking." What Retired Executive Allan Coster eventually discovered was not a secret passage but precious pentimento. Still on the walls, beneath 40 years of papering, was the doodling of Humorist James Thurber, who had lived in the house in the 1930s. There is "no question" that the art work is that of the former New Yorker writer and cartoonist. Says Helen Thurber, the humorist's widow...

Author: /time Magazine | Title: People, Mar. 24, 1975 | 3/24/1975 | See Source »

FOLK FESTIVAL--Peter Johnson's roster this week is impressive: Coster, Welling, and Wollack, an old-time string band with a prize-winning fiddler; John Kolstad, a bluesman who traces his roots to Robert Johnson; and Mike Turk, reportedly a fine harmonica man. --P.M.S...

Author: NO WRITER ATTRIBUTED | Title: Rock and Jazz | 1/24/1974 | See Source »

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