Word: costigan
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...Here the good cop is Billy Costigan (DiCaprio), a member of the Massachusetts State Police - evidently state troopers do more than set speed traps - who reports to Capt. Queenan (Martin Sheen) and Sgt. Dignam (Mark Wahlberg), the only two people who know his true identity. The mob cop is Colin Sullivan (Damon), and his boss is gangland kingpin Frank Costello (Nicholson...
...sure, the business climate in California has improved during Schwarzenegger's year in office. "His No. 1 goal in signing or vetoing bills was to turn the California economy around and bring jobs back to the state," says Richard Costigan, the Governor's legislative secretary. Early in his administration, Schwarzenegger pushed through reforms in the state's workers'-compensation system, whose spiraling costs had been a major complaint of business owners. He also vetoed bills to raise the minimum wage and force smaller companies to provide health insurance for all their employees...
...director Tim Burton reads it and signs on, and when the movie garners critical praise, the guys decide to stick with their new formula. "Most biopic pitches you hear in Hollywood are about 'The first person to blah-blah-blah,'" says Columbia's executive vice president of production, Michael Costigan, who oversaw The People vs. Larry Flynt. "But Scott and Larry are not concerned about a particular person's achievements as much as they are about their subject's passion, especially when it has a slanted angle...
...same for Rita, Sue and Bob Too. The former (Siobhan Finneran and Michelle Holmes) baby-sit for the latter (George Costigan). When he drives them home after work, they chipperly take turns putting out for him. A minimum of romantic spirit and a maximum of haste mark these encounters. Monosyllabically written by Andrea Dunbar, directed with documentary flatness by Alan Clarke, this movie achieves a cinematic rarity: a perfect lack of grace. And thus a perfect match of style and subject. If we believed these figures were capable of rising above themselves and their drab surroundings, we would probably...
Cukor stages the story well enough against lush Welsh landscapes, but there are very few openings for his usual flourishes of wit and romance. James Costigan's mechanical teleplay often italicizes plot developments; a second-half plot stratagem, in which Morgan fathers an illegitimate baby, comes across as crude turn-of-the-century melodrama. One also wonders why Costigan has not bothered to open up the play's naturally constricted action. When Morgan travels up to Oxford to take his exams, the audience expects to go with him: the Welsh boy's first encounter with upper-crust...