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Word: cote (lookup in dictionary) (lookup stats)
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...Vadis, where dinner for two with wine can easily cost $50. But Co-Owner Bruno Caravaggi remains sanguine. "It can't last," he says. "There will always be people who seek our kind of service and attention." Attorney Victor Jacobs, who represents La Caravelle, La Cote Basque, Le Manoir and other luxury establishments, calculates that dollar volume has slipped 15% to 20% from last year's levels. This, taken together with rising costs for labor and provisions, leads Jacobs to a bleak conclusion: "I think it might be the end of the deluxe restaurant...

Author: /time Magazine | Title: Restaurants: Slump du Jour | 5/11/1970 | See Source »

...behind-schedule glance into La Grenouille, and Lyons is off to the Cote Basque: Hurok's come and gone, but there's Artur Rubinstein, who puffs a long Havana and says his wife cooked Polish chicken for an after-concert gathering the night before. Out comes Lyons' black lizardskin notebook and tiny gold pencil. A few cryptic notes, and he Ts off to Le Pavilion and, finally, the Four Seasons. The latter has a coat hook marked MR. LYONS. A coat, is already there. "Who's been hanging their coat on my hook?" In his consternation...

Author: /time Magazine | Title: The Press: See Lennie Run | 2/23/1970 | See Source »

...cote playboy," remarked a French journalist about Michel Crozier. Though this image seemed slightly ???? for the sociologist who wrote The ??? enough French girls have claimed to be enchanted by his quiet elegance and charm to dispel my doubts...

Author: By Franklin D. Chu, | Title: Profile Michel Crozier | 2/21/1970 | See Source »

Wednesday, October 8 WEDNESDAY NIGHT MOVIE (ABC, 9-11:15 p.m.).* Audrey Hepburn and Albert Finney, in love and not so in love, are Two For the Road (1967) on the Cote d'Azur...

Author: /time Magazine | Title: Television: Oct. 10, 1969 | 10/10/1969 | See Source »

...Sagan novel, it somewhat resembles Belle de Jour and, to a lesser extent, The April Fools. But it lacks the surrealistic pathology of Belle and the slick American romance of Fools. Its milieu, instead, is the typical Sagan domain of croquet on Parisian lawns and seaside Scrabble on the Cote d'Azur, of cliquishness and banal cleverness ("I'm wearing black because it's so gay"), of highly polished and muted passions...

Author: /time Magazine | Title: Cinema: Pourquoi? | 8/22/1969 | See Source »

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