Word: cotta
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Dates: during 1980-1989
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...recent years, particularly in the South and West, Hispanic decorating styles have spread from ethnic enclave to city center to suburb. Design and architecture magazines and chic boutiques are full of the terra-cotta pots, vivid woven rugs and ceramic tiles of the Santa Fe style, and homebuilders around the country are busy slapping stucco onto plywood and chicken wire to satisfy a growing yen for adobe homes. At the same time, more public buildings are being constructed in a modern flourish on the Old World style of Spain, with arched porticoes, wide, shady courtyards and bubbling fountains. "I like...
...Angeles, Chicago and Boston, is a collaboration of the National Gallery and the Greek government, in which contributions from 18 Greek museums have been assembled. Scaled to a museumgoer's tolerance for fractured antiquities -- just 67 items -- the exhibit still covers a wide range, from early pottery and terra-cotta figures to archaic marbles of a quality rare in American collections...
...originally the newspaper's headquarters, stands on its own triangular island where the three streets come together. Built at the turn of the century, Times Tower (now One Times Square) was the odd but lovable younger sister of the classic Flatiron Building a mile down Broadway -- until its terra-cotta exterior was ripped away in favor of a charmless white marble skin in the mid- 1960s. The dowager has been turned into a cheap mummy, yet the disposition of Times Tower remains an architectural cause celebre. Johnson and Burgee once proposed that the building be stripped down to its steel...
Lacroix's billowing nostalgia envelops his own past. Not for nothing did he want to bring the sun and the sea right into his salon. His imagination is almost defiantly rooted in Arles and the rough Camargue area nearby. "I'm crazy about terra-cotta floors, primitive people, sun and rough times," he says. "This is my real side -- goat cheese and bread, elementary things." He warms to his subject. "I suppose that I am really double-faced. I am fascinated by Paris, its elegance, its women, even its artificiality; but with my heart and skin I love the South...
Inside the museum, pale maple floors, terra-cotta tile and fiber matting create a neutral background for the displays. What saves it from being merely one more ocean of architectural white space is a soaring four-story atrium- lobby, dominated by a magnificent oval staircase that leads to the exhibit levels. "What we wanted," says Smith, "was a simple environment that would be a good backdrop for our exhibits...