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ENRICO DONATI-Staempfli, 47 East 77th. Slabs of textured pigment on canvas are built up out of what Donati calls "mixed media," and that can mean everything from sand to terra-cotta dust to ground marble. Twenty of his newest paintings...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

...damage, Munich had carefully disassembled the gold and white interior decorations of its Cuvilliés Theater before the bombs fell, so that when it was rebuilt in 1958, all its ornaments and trappings were intact. But inside its shell, the Nationaltheater was a chaos of terra-cotta rubble where grass and trees had begun to sprout...

Author: /time Magazine | Title: Opera: The Joys of Intermission | 12/6/1963 | See Source »

...without cognizance of the centuries that have passed since they toppled into the jungle. But most of Mexico's ancient art is less monumental and more familiar: everyday household utensils and ritual objects decorated with leaves and tendrils; pots, statuary, and tools in the shape of animals; terra-cotta fertility idols whose swollen thighs and exaggerated pubic regions are pocket guarantees of good crops. Perhaps the highest point of pre-conquest art-and the most exciting part of the Los Angeles show-was the painted room of the temple at Bonampak, a pyramid whose corbel vaults-arches made...

Author: /time Magazine | Title: Art: 35 Centuries of Mexican Art | 10/25/1963 | See Source »

Maldarelli sometimes worked in terra cotta, plaster, limestone or wood, but his favorite material was marble. With it, he said, "you can play a chisel as a musician plays an instrument." It was while he was working on a piece of fine marble one day in January that a heart attack struck him dead-an artist due, like many another, to win greater fame after death than he ever knew while alive...

Author: /time Magazine | Title: Art: The Only True Mission | 3/29/1963 | See Source »

...Bontecou, a blonde loft-waif of Lower Manhattan, used to do terra-cotta animals, turned to something called "soot drawings" while on a Fulbright in Rome, five years ago started making little boxes of metal rods with canvas sides stitched on with copper wire, treated with sizing for tautness, scorched with a blowtorch for blackness. From there, the elaborate wall structures grew. "I wanted to get sculpture off the floor-sculptures standing on the floor, they don't have anything to do with anything; they're so heavy and, well, I just wanted to get them...

Author: /time Magazine | Title: Art: The Loft-Waif | 2/1/1963 | See Source »

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