Word: cottas
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...crooked and gullible dealers. In 1914, they went to work on their masterpieces-three outsized Etruscan figures. As model for one standing warrior, they used a photograph of a little statue that is now in Berlin's Old Museum. For the big head, they used a small terra-cotta vase-head that-ironically-is now owned by the Met. And for the second standing warrior, they used a photograph of a figure on an Etruscan sarcophagus that the British Museum had bought. Perhaps, being conscientious forgers, they would never have used the sarcophagus had they known that some...
Included were the work of 19 Italians and five Frenchmen, all on their very best behavior. Rodin is represented by a terra cotta study of his Thinker, Rouault by a somber Autumn. About the liveliest item in the show is a couple of playful cats done by Sculptor Pericle Fazzini. As usual, Giorgio de Chirico was unhappy about the choice of his work-an uninspired Still Life with Fruit and Milan Cathedral Seen from Rooftops. Said he: "Of course all my works are good, but these are of lesser importance...
...giving birth are brutally explicit; his Prodigal Son is a head bursting with dim regrets. "I want my sculpture to exist-really exist," he once wrote. "I want it to holler when it's being threatened by neutral surroundings." His wife, winsome Kathryn Carloye, does small terra-cotta bas-reliefs consisting of ranks of tiny skulls, with things growing from them. She has to keep them small, she says, because her two small children have her on the run most of the time...
...corner of Rome's Villa Borghese park is one of the world's richest collections of Etruscan art, which each year is drawing increasing numbers of visitors. Housed in the massive Villa Giulia, built in 1555 as a papal summer resort, the collection today numbers bronzes, terra-cotta sculptures and artifacts in the tens of thousands, displays its choicest treasures in two floors of one wing that is a model of museum showmanship...
...Villa Giulia's unquestioned Etruscan masterpieces is the Sarcophagus of the Spouses (above-), found in the ancient Etruscan city of Caere (now the small town of Cerveteri, some 25 miles outside Rome) and recently reassembled. Molded from terra cotta in the 6th century B.C., it is a key to the culture of the Etruscans, who, haunted in life by a host of demons and ogres, prepared optimistically for a life after death that would be an unending feast. Their vision of paradise is vividly shown on the walls of the underground tombs-a world in which dancers, lute players...