Word: cottas
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Among the new finds at Ife (pronounced Ee-fay), where antiquarians have been digging up terra cotta fragments for years, were two bronzes (see cuts) that rank as masterpieces: ¶ A 19-in. statue of an Oni king in full regalia. Standing barefoot, clad in skirt, an amulet centered on his beaded hat, the Oni in bronze wears a bib of beads (presumably coral), a knee-length strand of larger beads (probably carnelian or agate), bead anklets, and wristlets. In his right hand he clutches a mace, in his left a ram's horn, the symbol of authority. Slightly...
...also Juan Gris, pioneer Sculptor-Welder Julio González, Surrealists Joán Miró and Salvador Dali. And now another name is being nominated for the list: the late Manuel Martinez Hugué (1872-1945), better known simply as Manolo, whose small-scale bronzes and terra-cotta sculptures are the most earthy and most intensely Spanish art works...
...longer come to New York for opera; instead, New Yorkers will be coming to Boston." But Impresario Oscar Hammerstein, then staging grand opera at his Manhattan Opera House in successful competition with the Metropolitan, made another kind of prophecy. He noted that the hulking red brick and terra-cotta pile at the corner of Huntington Avenue and Opera Place was next door to the Boston Storage Warehouse and suggested blandly that "perhaps some day the two can be combined...
Queen Eurydice had a spacious reception hall with a circular fireplace in the center. Her boudoir had frescoed walls, and its stucco floor was gaily decorated with dolphins and octopuses. Like other parts of Nestor's palace, the Queen's apartments had terra-cotta pipes to carry off the smoke of the heating system. A small room, presumably a bathroom, had an underground drain. There was no bathtub, but since a terra-cotta tub was found in another part of the palace, Queen Eurydice may have had one too. Or perhaps her slave girls bathed her by pouring...
...Luce took over in Rome in late April 1953, she loved the bedroom at first sight, noted approvingly that the heavy-beamed ceiling-admired by a long line of predecessors as a fine example of Italian Renaissance décor-had been newly painted. The beams were in terra cotta green, decorated with cluster upon cluster of roses and rosettes. Many coats of heavy paint had been brushed onto the white roses to make them stand out richly against the background...