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...oldest aircraft on display is Otto Lilienthal's 1894 glider, with its willow-and-bamboo frame and cotton-cloth covering. When Lilienthal died near the turn of the century, his last words were reported to be: "Sacrifices must be made." In the museum's military aviation exhibits, that sense of sacrifice is pervasive, if in a different context. The most durable warplanes are there: the Fokker, Spad XVI (Billy Mitchell's own), P-40E, B26, Spitfire, German Messerschmitt and Italian Macchi MC-202. So is the old workhorse of World War II-and beyond...

Author: /time Magazine | Title: The Nation: Second Hottest Show in Town | 1/17/1977 | See Source »

...firm's manager proudly assured Schumacher that his factory was as highly automated as any in the world. It has to be, in order to produce a product that could compete in world markets. As a result, it provided almost no local employment. Even worse, the raw material (cotton fiber) had to be imported, because the local product was too short for the machine to spin into top-quality yarn...

Author: By Adam W. Glass, | Title: Economics As If People Mattered | 1/10/1977 | See Source »

...termed it the Leftover Bowl, and he was a participant, so you can imagine how it struck the rest of us. But it was a bowl just the same, and in this season of Liberty, Cotton, Bluebonnet and Gator, that's all that counts...

Author: NO WRITER ATTRIBUTED | Title: Kubacki Sparkles in Tampa... | 1/4/1977 | See Source »

...themselves or else share it with 720 of their most intimate pals. For a couple with less time and fewer dollars but more friends, a 135-min. private performance of Circus Vargas, billed as the world's largest tented show, can be had for $47,500, popcorn and cotton candy for 5,000 guests included. For only $2,500 more, Houston's Astroworld amusement park is available for an exclusive...

Author: /time Magazine | Title: Modern Living: Yule Log: Happy His & Hers | 12/20/1976 | See Source »

Sensitive Nerve. Nowhere was the reaction stronger than among those who actually work in TV's cotton fields. "I heard the movie was supposed to be a satire on the television business," deadpans George Schlatter, who originated Laugh In, one of the most innovative shows of the '60s. "But to me it was almost a documentary." Says Novelist Gore Vidal, a TV playwright in the '50s: "I've heard every line from that film in real life." Norman Lear, the comedy pioneer of the '70s, declares categorically that Network is "a brilliant film...

Author: /time Magazine | Title: Show Business: The Movie TV Hates and Loves | 12/13/1976 | See Source »

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