Word: count
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Dates: during 1970-1979
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...celebrated Edward Gorey's black-and-white cartoon sets, which reduced the play to the dimensions of cardboard. The most effective scene in the production--even though it was completely inconsistent with the tone of a 30's movie--was an erotic, sado-masochistic seduction of the ingenue by Count Dracula. The production had one indisputable asset: Frank Langella, the most endearing, cuddlesome teddy-bear Dracula ever to pierce a jugular...
...MORE performances of "My Generation" than you'll care to count--"My Generation" in front of screaming boppers, circa 1965; "My Generation" on the Smothers Brothers Show; "My Generation" blues-style; and so on. But virtually no tracks from Tommy, Quadrophenia, or Who's Next--except for "Baba O'Riley" and "We Won't Get Fooled Again," the two best sequences in the movie...
This is the expensive Dracula that the gang at Hammer films must have dreamed of making back in the '50s and '60s. The legend had fallen out of general favor back then, and only B-picture makers and their fans still cared about the ineffable Transylvanian count and the strange folkloristic ways of fighting off his baleful influence (garlic on the windowsills, stakes through the heart, that sort of nonsense). Like those old programmers, the new Dracula is shot in the high gothic-romantic tradition, lushly scored and terribly serious about itself and its subject matter...
...lurched forth in the past two centuries, none has frightened more people more often than the one sparked into life by the idealistic scientist Victor Frankenstein. Dracula retains his bite, to be sure, and has flapped into current vogue on stage and screen. But the overtones of the thirsty count's exploits are chiefly sexual, leading to titillation rather than thought. That is not true of Frankenstein's man-made man-monster. He troubles the mind because he is a projection of the mind, a soaring ambition shockingly embodied in flesh. Mary Shelley's Frankenstein (1818) appeared...
July 20, 1969 doesn't seem like such a long time ago. Most of the problems and personalities of that day have changed, but to those who grew up in the sixties, they were facts of life. The body count from Viet Nam, every night from Huntley and Brinkley, interrupted by cigarette commercials. Ghetto riots in the summer didn't make the news unless they were big ghetto riots (the little ones were expected.) July was too hot for big anti-war protests, though; demonstration season was late spring and early fall. Joe Namath's Jets has embarassed...