Word: counterfeits
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Dates: during 1980-1989
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...sweep, idealism and tireless eloquence of youth. In 1898, when the original French production played London, it arrived like a gust of rose-scented air in the stolid cathedral of naturalism. Proclaimed Critic Max Beerbohm: "Even if Cyrano be not a classic, it is at least a wonderfully ingenious counterfeit of one." And even if, in this century, the counterfeit has become more evident than the ingenuity, Rostand's rhapsody has attracted new generations of star actors, from Walter Hampden to Ralph Richardson to José Ferrer in the Oscar-winning film version. But the movie ran only...
...Opera House. Adding insult to neglect, Baryshnikov and Anastos even bring on a glamorous masked lady (Leslie Browne) whom the Prince (Patrick Bissell) mistakes for Cinderella. The idea may be a bow to Odile in Swan Lake or several figures in Balanchine, but whatever the source, love's counterfeit has more vitality than its true image...
Buddies, ballrooms and counterfeit bills in four French films...
...Argent, oxygen Bresson's 13th film in a 50-year career, is both simple and brutal: capitalism is a contagious disease, and the carrier is money. Bourgeois parents reward their sons for lying about money. The surest way out of a sticky situation is bribery. Currency is as counterfeit as the system it supports. A young man (Christian Patey) unknowingly passes a phony 500-franc note, but be cause his stubborn rectitude marks him as an alien in the kingdom of greed, he must suf fer an almost comic series of calamities: fired from his job, then jailed, then...
...fascinated by the machinery of injustice. Everything from a bank's cash dispenser to the French legal system to a finely honed ax is considered for its practical application. Nothing works, except for Bresson's own favorite machine, the movie camera; like Yvon, it refuses to counterfeit obeisance to a society motivated by its own corruption. Bresson, too, regards humanity with the ferocious passivity of a stone lion on some abandoned antique isle. At 76 he has made his most serene and terrifying film to date, one that strikes at its target like a bolt of judgment flung...