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...name is Barrel?) and sometimes prompted by questions from Little Sally. The dialogue between the two is far funnier than it has any right to be. After a drippy and yet oddly charming love song, Little Sally muses that Hope, the female ingénue, loves her male counterpart, Bobby. “Of course, she does,” replies Officer Lockstock breaking down into tears in his best tribute to soap opera acting, before adding a second punch line with the tongue-in-cheek explanation, “he’s the hero of the play...

Author: By Adam R. Perlman, CRIMSON STAFF WRITER | Title: With a Name Like Urinetown, It's Gotta Be Good | 11/30/2001 | See Source »

...Congress have proposed a host of bills to fix that, by giving Amtrak and the states anywhere from $20 billion to $70 billion in tax-exempt bonds and loan guarantees. But despite a diverse coalition of passenger-rail supporters, from Senate majority leader Tom Daschle to his Republican counterpart Trent Lott, it's unlikely that Amtrak will control all the funding or that it will survive much longer in its current form...

Author: /time Magazine | Title: Is This Any Way to Run a Railroad? | 11/25/2001 | See Source »

...thrilling chart-toppers like “Firestarter” and “Setting Sun,” the music in the limelight is barely deserving of notice. Most popular are formulaic, cheap-rush trance that any talentless hack with a computer can cough out, and its dry counterpart “progressive” house, the style championed by purists like John Digweed...

Author: By Ryan J. Kuo, CONTRIBUTING WRITER | Title: Electronica from Down Under | 11/16/2001 | See Source »

...provides an excellent counterpart to Erlich’s theatrics, taking a common sense approach to dealing with the boys that eventually brings at least Ricky down to earth. Fee shows a winning ability to sum Ricky up in a glance and deconstruct his public image, making him know his role and shut his mouth for the first time...

Author: By Ian P. Campbell, CONTRIBUTING WRITER | Title: ‘Hooters’ More than Eye-popping | 11/16/2001 | See Source »

There are nearly 90 students involved in the operation of WERS. O’Dette’s counterpart, the Music Director, is senior Beth Baudoiun. Aside from their management positions, there are student DJs, producers, live mixers and music directors and coordinators for each show. DJs pick the playlist for their shows. Producers make sure they run smoothly. Live mixers control the sound for in-studio performances. And each show’s music director picks the library of music for his show...

Author: By Jessica S. Zdeb, CRIMSON STAFF WRITER | Title: You Hear it Here First | 11/8/2001 | See Source »

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