Word: counterpoint
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Dates: during 1930-1939
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...finishing touches to his variations. In Manhattan last week, John Barbirolli and the New York Philharmonic-Symphony gave them a first performance in Carnegie Hall. The Philharmonic's first-nighters found they had to chase Weinberger's spreading chestnuts through a thick foliage of neat counterpoint, got the tune hurled at them forwards, backwards, upsidedown, finally lost themselves in the fugue which ended up sounding like a CzechoSlovakian polka. In the score, when the English tune .went backwards, Composer Weinberger had carefully labeled it with the Latin words More Hebraeorum (in the Hebrew manner)* with the explanation: THGIR...
...neutrality, every U. S. citizen last week could feel, if he could not see, the vital, life-&-death issue: peace or war. To the great oratorical fugue about to start in the Capitol, never had there been a more unanimously attentive audience. The man who will play the counterpoint in that fugue, his eyebrows now white with time, sat brooding in his hideaway, now and then napping on a creaking old black-leather couch. Borah was ready for the fight of his life. The odds were against him but no man could yet say that he had lost...
...music entirely pleasant to listen to. The Borodin "Polevetskian Dances," the Cimarossa and the Gilbert and Sullivan choruses were especially effective. There was a strikingly small amount of froth on the program, in fact, the finale from Piston's "Suite for Orchestra," a vigorous movement, full of strongly dissonant counterpoint, was a little meaty, perhaps, for such a casual audience. This program culminates a year of cooperation between music at Harvard and the Boston Symphony Orchestra which has made possible performances of Beethoven's "Mass in D" and the Brahma "Requiem," and has added so much to the content...
...picked a boyish, bearded, 28-year-old Nebraskan named Howard Hanson. Director Hanson's main interest was composition, and it was not long before he had turned Eastman's music school into a gigantic incubator for young U. S. composers. For them Director Hanson provided classes in counterpoint, a symphony orchestra, and even a ballet company to play their works. He installed a recording system, made phonograph records of students' lopsided sonatas and sway-backed symphonies, so that they could study their faults over & over again. Nine years ago Director Hanson held a Festival of American Music...
Oddities-of-the-month: Famed Guitarist Phil Lang's band v. Mozart on Counterpoint a la Mode (Brunswick); Joan Crawford, recorded for the first time, singing I'm In Love with the Honorable Mr. So and So (Victor...