Word: counterpoint
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...marinate it in miso, which preserves and enhances the flavor. That's very Japanese. Then I'll turn to French technique in how I cook it." Ono points to his salmon dish: he cures the fish with salt and ginger, adds a pinch of green-tea powder as a counterpoint, then pan roasts it to a crispy finish...
...Scofield’s Waltz.” A lyrical and haunting ballad, it allowed Black to soar over the melody, as he engaged in touching introspective moments in the middle register and soaring to plaintive highs in upper octaves. As such, work provided a fitting counterpoint to the previous “Chicken Dog.” While the former relieved tension by closing with mellow, mellifluous chords, “Mrs. Scofield’s Waltz”was rudely interrupted at the end by piercing dissonances, the heart-rending tribute rendered barren by coarse and interruptive cacophony...
...good grace to attempt maneuvers of dissociation (you see, it's not me who's crazy and violent but the voices I channel from others in our sick society). He rapped a number purporting to be made up of menacing messages from a nutcase fan, working in counterpoint with Elton John, a benevolent marshmallow in a clown suit, still exhaling faux poetics in the "Candle in the Wind" mode. Watching Eminem's body English, I thought of the Japanese expression henna gaijin, which means something like "crazy foreigner," and is used to refer to a Westerner who speaks the difficult...
What might have been a competent formulaic romance earns an added luster in A Student of Weather (Counterpoint; 368 pages; $24) thanks to Canadian author Elizabeth Hays' deft variations on and additions to familiar themes. Two sisters, Lucinda, 17, and Norma Joyce Hardy, 8, fall in love with the older man who visits their father's farm in Saskatchewan during the 1930s to study local plants and Dust Bowl weather patterns. Maurice Dove ought to fall for the beautiful and virtuous Lucinda, who runs the household in place of her deceased mother, but it is Norma Joyce, plain and engagingly...
Perhaps the best example of the brilliance of the orchestration was in the third movement nocturne, in which Corigliano attempted to recreate the sound he heard during a stay in Morocco, when the calls of muezzins from different mosques collided and "created a glorious counterpoint." In the symphony, beautiful dovetailing lines shimmer and seem to echo off each other, something unattainable in the quartet version. A wild fugue using different tempos for each statement of the subject (but notated in the same meter for all instruments) leads into the postlude, where repetitions of the minor third interval perhaps intentionally recall...