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Word: counterpointed (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Which is why, as TIME film critic Richard Schickel tells us in BRANDO: A LIFE IN OUR TIMES (Atheneum; $21.95), he was a mythic presence for all the young urban professionals of the '50s. Rude but sensitive, rough but anguished, Brando was their version of pastoral -- a noble-savage counterpoint to the corporate rat race. The myth got lost in the series of unsuccessful movies he made after his greatest, On the Waterfront. Schickel concentrates on how and why this happened to the celluloid Brando, leaving the real-life actor to rut, brood and grow fat in some other, more...

Author: /time Magazine | Title: Critics' Voices: Sep. 2, 1991 | 9/2/1991 | See Source »

grove plays with the confidence and maturity of jazzmen twice his age. With his sharp attack and liquid tone, he brings both fire and lyricism to a repertoire that is always anchored in melody. Alto saxman Antonio Hart adds a riveting counterpoint to this tight, driving quintet...

Author: /time Magazine | Title: Critics' Voices: May 20, 1991 | 5/20/1991 | See Source »

...human counterpoint to this [external stimulus] is how your psychological response affects how the heart functions," she said...

Author: By Haibin Jiu, | Title: Scientists Search for Cause of Sudden Death | 4/2/1991 | See Source »

These panoramic vistas are no mere window dressing; they serve as counterpoint and antagonist to the Moresbys. Kit, always fighting the elements, will be blown away by them. Port, like so many Bertolucci heroes a passive creature whose bravado consists in allowing chance to work its will on him, at first believes he will enjoy feeling stranger in a strange land. North Africa, he thinks, will offer escape into adventure, exotic peril, the seductions of oblivion. He is wrong. The desert demands his surrender. The sand is quicksand; it will swallow him whole...

Author: /time Magazine | Title: Cinema: Tragedy Is Their Destination | 12/3/1990 | See Source »

...third movement began with a well-crafted call-and-response between the strings and the piano. Cohen and Wiley did well to keep the gestures simple; their two-part counterpoint maintained greatness through its simplicity. Pressler's response was more richly done but still appropriate, and Cohen's relaxation during this movement significantly improved his tone and clarity. The final chord floated away beautifully...

Author: By Teresa A. Marrin, | Title: Beaux Arts Trio Shines At Sanders Theater | 10/12/1990 | See Source »

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