Word: counterpointed
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...variety of birds, including the white-breasted nuthatch and the brown-headed cowbird. Don’t let these candy-ass names fool you, though. Their blood-curdling cries will strike fear into the hearts of even the bravest Sunday stroller. The graves at Mt. Auburn provide an architectural counterpoint to its natural fall beauty. The tombstone of Charles Bulfinch—architect of such early 19th century Federal-style landmarks as the U.S. Capitol, Faneuil Hall, and Harvard’s own University Hall—is stunning. Set along luminous Bellwort Path, Bulfinch rests beneath a giant, ornate...
...that level. Instead, he plays with grace and restraint, making the occasional outburst even more ecstatic and satisfying for the listener.Silverman plays a much more rhythmic and syncopated line in the second movement, “Sri Moonshine.” The jazzy and chromatic melody plays in rhythmic counterpoint with the piano, harp, percussion, and brass—instruments retuned for the piece using a system that is alien to most listeners. As a result, the amplified violin combines with the orchestra to create weird, exotic, and intoxicating harmonies. One might think that after such an endearing tribute...
During one seminar on 16th-century counterpoint, a professor chastised Bernstein for playing a nontraditional and dissonant composition. According to Shapero, who was also in the class, "Lenny took his fist and went BANG, like that," playing the piece despite the protestations...
...standout track, “Cursed Sleep,” might be the most musically complex piece to ever carry Oldham’s name. Violins ascend while cellos spiral downwards, the melody darts from wall to wall in a careful pattern, and Dawn McCarthy’s counterpoint vocals plead out variations of the song’s title over and over and over again. Meanwhile, Will narrates a primordial, but endlessly complex, human scene: lovers lying in bed.“I slept sweetly, unpretending / that the night was always ending / she breathed lightly, right next...
...cohesive album, whose melodic bass lines issue taut rejoinders to lazy keyboard echoes, delicate synth arpeggios, and efficient percussion—complete with judicious handclaps, especially on “First Time” (alas, sans cowbell).Despite the album’s electro-sheen and programmatic counterpoint, singer Jeremy Greenspan’s high, reverb-enhanced vocals imbue the tracks with a necessary human element.Indeed, Greenspan’s voice staves off the otherwise-inevitable feeling that these tracks might, in fact, make rather excellent lounge instrumentals.And while these ten tracks do tend to emphasize a removed compositional sensibility...