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Word: counterpoints (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Octet (Lennie Niehaus; Contemporary LP). Some entrancing counterpoint, arranged by West Coast Alto Saxophonist Niehaus...

Author: /time Magazine | Title: Music: New Pop Records, Apr. 4, 1955 | 4/4/1955 | See Source »

...until the other two pianists arrived and did some excellent work with a "blocked chord" style. In All the Things You Are Watson on the alto and Ray Pitts on the tenor sax-the only two with much experience together-engaged in a beautifully fluid duet in the current "counterpoint" style. Lewis on the conga drum and Arnold Palmer on the regular drum outfit both achieved tympanic effects from their instruments in a highly amusing question-and-answer period near the end of Honeysuckle...

Author: By Peter G. Paiches, | Title: 'Experimental' Jazz | 3/9/1955 | See Source »

...heroes in the bloody days of Assurnasirpal. The powerfully striding thighs are molded with an easy naturalism virtually unknown until the time of the Greeks, yet the cylindrical form and spellbound air of the entire figure are pre-Grecian. The boots are even odder than the horned helmet they counterpoint. Hittite sculptures sometimes have upturned toes, but never so exaggerated. A few experts guess that the boots are a sort of combination ski and snowshoe, pointing to a mountain origin, yet most of the body is naked to the cold...

Author: /time Magazine | Title: Art: Men of Mystery | 2/28/1955 | See Source »

...chief novelty of the evening was the premiere of an orchestra Fugue by John Austin, and Eliot House junior. This relatively large-scale work shows continued preoccupation with the problems of counterpoint that he tackled in his smaller Model Canons and Fugal Picces for Three Violins. The result is his most ambitious, yet most personal and communicative piece to date...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 2/15/1955 | See Source »

...closing, the choruses combined for three excerpts from Bach's B Minor Mass. As might have been expected, the Radcliffe sound often swamped Amherst--despite the ladies' obvious unfamiliarity with some passages. In addition, Paine Hall's overbright acoustics effectively smudged the counterpoint. The total impression was more of an impromptu singing party than a concert finale. ROSERY M. SIMON

Author: NO WRITER ATTRIBUTED | Title: Radcliffe-Amherst Musicale | 2/7/1955 | See Source »

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