Word: countesses
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...propelled by a relentless pounding of timpani that recalls the opening of the Brahms First Symphony. Along the way, several of the ensembles are strikingly crafted, such as a dramatically dilatory but musically effective trio for Marie (Phyllis Hunter), her sister Charlotte (Beverly Morgan) and a haughty but generous countess (RoseMarie Freni). And the final scene, in which civilization explodes in a brilliant burst of light and a final crash of the drums, is chilling...
Since Brandt launched his Ostpolitik (policy looking to the East) in 1970, West Germany has become more closely involved with the U.S.S.R. Says Countess Marion Donhoff, publisher of the liberal Hamburg weekly Die Zeit: "We once again assumed our traditional place in the center of Europe. As a result, Bonn must to a certain extent take into account the reactions of the East...
...Victorian scene with such wealth of detail that many American reviewers at first thought them to be authentic historical documents, Mr. American teems with minutiae ranging from the price of the London & Northwestern train trip from Liverpool to London (just under $6, first class) to details of the Countess of Cardigan's Recollections (scandalous...
...circus of Lulu or put off by the gloomy Brechtian neon of Seven Deadly Sins earlier this year will be happy to hear that Figaro is staged straight, with period costumes by Rita Ryack. But the traditional mise-en-scene does not petrify the show. Edmunds has placed the Countess's bedroom, the courtroom, and the other havens of aristocracy underneath a patently fake proscenium, upstage; in the wings, stretching around the audience are the kitchens, dressing rooms and lofts of the servants; and most of the action, appropriately enough, occurs in the middle ground. Figaro's wedding procession winds...
...altitudes. As he counters the Count's designs on his bride-to-be Suzanne with plots of his own, he acts more like an lago than a Prospero. Karen Macdonald's Suzanne follows his lead--spleen overbalances sweetness. Harry Murphy's smug Count and Cheryl Ginannini's hoarse, pouting Countess are closer to the mark--he displays all the insight of a brontosaurs, she the passivity of a wildcat. These are Beaumarchais' hollow hulks of aristocracy waiting for someone...