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...solid Cornell defense—the Big Red entered Saturday’s matchup leading the league and second in the nation in tackles for loss and was limiting rushing attacks to 37 yards per game. Pizzotti found early help from freshman Adam Chrissis who made his catches count, taking his first collegiate grab—a screen pass on a Big Red blitz—67 yards to the end zone for the first score of the game. The rookie ended the day with two catches for 72 yards. “No, [my first catch] wasn?...

Author: By Madeleine I. Shapiro, CRIMSON STAFF WRITER | Title: SIDEBAR: Offense Bolstered by Backups | 10/13/2008 | See Source »

Perhaps we have. And if so, when the story is told, the moral might be that white and black begin to fade when the color that matters is green - the green of money we can no longer count...

Author: /time Magazine | Title: For White Working Class, Obama Rises on Empty Wallets | 10/12/2008 | See Source »

...asked her how she was doing, she simply responded, "Tired." She had just spoken at two events in Washington, and she had attended the dedication of a park bench in Laramie built for her son. She had also made time to do interviews with more reporters than she could count, all while trying to cope with her emotions at the 10-year mark of her son's murder. As usual, Judy's strength was stirring. Like many gay men of my generation - I'm six years older than Matt would have been - I see her as a powerfully maternal figure...

Author: /time Magazine | Title: Viewpoint: What's Wrong with the Hate-Crimes Bill | 10/11/2008 | See Source »

...Crimson won that game against Lafayette, 27-13. It was a nice statement to make after the Brown loss, but Ivy League games are what count, and Harvard is in store for a tough one on Saturday...

Author: By Loren Amor, CRIMSON STAFF WRITER | Title: AROUND THE IVIES: Ho Back To Lead Crimson Attack | 10/9/2008 | See Source »

...exists (the law) and necessarily exists outside of it. Contemporary art galleries display their installations behind velvet ropes, where the works can be protected by motion sensors, attentive docents, and security guards. The same is not true of street art. To ensure the survival of their work, street artists count on the durability of their materials rather than the charity of their environment. The very idea that these works could be irrevocably altered—that they are impermanent, evanescent, that their fate is inextricable from the places and people that will suffer them—is another pillar...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: From the Street to the Web | 10/9/2008 | See Source »

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