Word: courbets
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...Gustave Courbet painted “A Burial at Ornans,” an enormous depiction of a country funeral, with cloaked townsfolk surrounding a priest and an open grave. Its classical style and enormous size all smacked of historical and religious importance; but Courbet’s choice to depict an everyday, contemporaneous funeral set in a rural area found modernity through an exultation of the commonplace. The painting itself was a radical upending of hierarchies. Courbet demonstrated the self-consciousness that sets modernism apart: a form of expression that, even as it acknowledges its tradition, eschews...
...obscure the fact that Auster is a master of crafting intricate tales within tales. His novels are supremely readable and enticing. But even though his characters search for identity, like Walker in “Invisible,” they remain just that—invisible. Like Courbet, Auster has managed to create a work of art out of the awareness of tradition. He just never manages to break from...
Ensor drew lessons in form and color from Turner, Courbet and Manet, but the spirit of his work, the mad afflatus of his gift, owes more to the Germans. His devils are inherited from Bosch and Brueghel. His taste for the grotesque traces back to Grnewald. He, in turn, would hand on his caustic vision of humanity to the German Expressionists, younger artists like Emil Nolde and Ernst Kirchner who saw the possibilities in his combination of sour disposition and strident palette...
...ooootiful cow!" Says he: "I'm a pure abstractionist in my thought. I'm no more like a realist, such as Eakins or Copley, than I'm like the man in the moon." Wyeth is neither a slave to the faithful detailing of nature, as were Courbet and Manet, nor a scientific observer of light and atmosphere, as were the impressionists. "I want more than half the story," he says. "There are some people who like my work because they see every blade of grass. They're seeing only one side of it. They...
...statues, lecterns, wooden pews, and bronze busts that belong in the Père-Lachaise cemetery - are packed on shelves, stacked against the walls and spread across the floor. Alongside them are hundreds of pieces taken from museums, galleries, libraries, archaeological sites and private homes: paintings by Renoir and Courbet, sculptures by Rodin, lamps by Le Corbusier, 2,300-year-old Italian vases, centuries-old manuscripts, 19th century Cartel clocks. "We've got everything," says Captain Jean-Luc Boyer...