Word: courbets
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Dates: during 1930-1939
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...19th Century good painters generally quit regarding the female body as necessarily a subject for boudoir decoration, went hell-bent in two directions: moony romanticism and substantial realism. Several minor pictures illustrated the first; Gustave Courbet's Midday Dream (see cut) exemplified both. Courbet was a law student whose paintings of such big, authentically voluptuous women struck Parisians of the 1850s as "vulgar...
...self-portraits shows a palette of ten colors with white and red together and most prominent. During his last years he experimented with impressionistic back grounds. These as well as his choice of subjects were a major influence in the great French group which immediately followed him and included Courbet, Delacroix, Daumier, Manet. As a portrait painter, Goya was a quick, fashionable success. The nobility crowded to his studio, recklessly tossed him com missions which he invariably accepted. At 40 he was making big money and spending most of it. He bought himself a two-wheeled carriage, a thoroughbred horse...
...Lute Player from Mrs. John R. Thompson & John R. Thompson Jr. (Chicago); Diego Rodriguez de Silva y Velasquez' Isabella, First Queen of Philip IV of Spain from Philanthropist Max Epstein of Chicago; Rembrandt Harmens van Rijn's Aristotle with the Bust of Homer from Duveen Bros.; Gustave Courbet's La Toilette de, la Mariée from Smith College: Whistler's Portrait of My Mother; Auguste Renoir's The Canoeists' Breakfast from Phillips Memorial Gallery (Washington. D. C.); George Seurat's Un Dimanche à la Grande Jatte from the Art Institute...
...dozen collections and the Luxembourg Museum in Paris lent portraits of lovely ladies for the open show. Artists represented ranged from early Romantic Théodore Géricault. Courbet, Cabanel to ultramodern Marie Laurencin and Jean Lurçat Lovely ladies painted included the Duchess of Rutland Russian Dancer Ida Rubenstein (by Leon Bakst) and Maud Dale thingly disguised as Mme D. by Jean...
...British exhibit is unsatisfactory. The modern French collection (Puvis de Chavannes, Corot, Manet, Monet) is also sparse. But six Metropolitan galleries will be opened on March 11 containing the famed Havemeyer collection (TIME, Feb. 4, 1929) which will greatly swell the museum's resources with fine specimens of Courbet, Corot, Manet, Monet, Renoir. Degas, El Greco, Millet, Puvis de Chavannes, Poussin, Ingres, Cezanne, Veronese, Filippo Lippi, Rembrandt, De Hoogh, Hals, Rubens, Goya. All in all. those who can content themselves with great artistry before Cezanne will find the Metropolitan a fascinating repository of paintings, not as great...